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At 83, Arne Glimcher had an unusually long life as a top art dealer in the business for over sixty years. But it’s still expanding its reach.
Glimcher, founder and chairman Speed Galleryplans to establish a new venue at TriBeCa, called Gallery 125 Newbury, which will open in September, named after the Boston address where Pace started in 1960.
“I’m going back to my roots,” said Glimcher of the new location, which will be under the Pace umbrella but will be a kind of sandbox for him. “Making the thematic shows that I want to do is a project area for me.”
The first will be an exhibition about “futurism”, not with the movement of the early 20th century, but with the works of forward-thinking contemporary artists across cultures. He was not yet ready to name the artists.
“I am essentially a curator, I always have been,” Glimcher said in an interview. “I always wanted to be the director of MoMA. So this is my little modern art museum.”
His son, Marc Glimcher, Pace’s president and CEO, described his eighth-year-old retirement plans this way: “No playing for Dad, no playing golf.”
Programming at 125 Newbury, which will run five shows a year, may include the estates of senior artists the elder Glimcher currently handles, as well as artists he has worked with for decades, such as Richard Tuttle, Sam Gilliam, Lucas Samaras and Robert Irwin. Like Louise Nevelson, Chuck Close, and Agnes Martin. Emerging artists have been promised and as a project space will include artists that Pace does not officially represent.
The TriBeCa location is on the corner of Broadway and Walker Street, perhaps in the city. the liveliest gallery neighborhood, is 3,900 square meters and will be renewed by the company. Bonetti/KozerskiDesigning Pace’s eight-story flagship in Chelsea was completed in 2019. Glimcher plans to split time between the two galleries – including his self-designed team Kathleen McDonnell, Talia Rosen and Oliver Shultz – and more people will be recruited to work at the new gallery. space.
The family turned Pace into a global operation with nine outposts from Seoul to Geneva. An extensive list of artists means that even the founder’s ideas can’t always take action right away.
“Sometimes it has to go on schedule—in two years I can get my idea done,” said Glimcher, laughing. “I’m too old for that.”
When Glimcher told his son about 125 Newbury, his first reaction was, “What are you talking about?” it happened. said Marc Glimcher.
“But then I wasn’t that surprised,” he continued. “He said he wanted space for his creativity and we didn’t want to stifle his voice.” Glimcher added that it’s getting harder to tell his father there’s no room for brainstorming.
Throughout the elder Glimcher’s long career, he has been making feature films, directing “The Mambo Kings” and producing “Gorillas in the Mist.”
More recently, at the 2020 Pace teamed up along with two other powerful galleries, Acquavella and Gagosian, to privately sell artwork left by investor Donald B. Marron, who died in 2019, bypassing auction houses for a starred treasure, including works by Mark Rothko and Willem de Kooning.
But few vendors can tell their own stories about artists as Glimcher can. An example is when he and Louise Nevelson drove to visit de Kooning on the East Coast during a heavy rainstorm in the mid-’80s. They had an accident that destroyed their vehicle, but he insisted on hiring a car service and making an appointment with the great painter.
“We were wet, so Bill gave us clothes to wear while they dried,” Glimcher said. “Imagine us sitting there in Kooning’s clothes as well.”
Saying that her voice is energetic about moving forward with her new project, she said, “I do this because I am very interested in the present, and instead of looking back at things, I do it because I love my life right now.”
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