A Magnificent Collision of Painting and Ceramics at NADA


Two things can be found everywhere NADA New York In Lower Manhattan: painting and ceramics. This makes sense, as the younger generation of digital natives (people who grew up with the internet and social media) in general tend to favor non-digital and handmade art in particular. But I’m passing out. First, NADA.

The New Art Dealers Alliance (NADA) is a new and mostly young art dealers group. This is the eighth edition of NADA New York (the last New York show was at 2018, but they just popped up in Miami last December). A total of 120 galleries and 81 members are represented at this fair, with non-profit organizations from the USA and around the world.

Younger sellers are probably taking more risks, and you’ll see plenty of them here – mostly in tone and mannerisms. The work ranges from scruffy, funny, and irreverent to brilliantly polished – albeit with an edge. The last thing anyone wants to do is look prematurely old or irrelevant. Still, artists and merchants need to make a living, hence the prevalence of second-hand shops and paintings and salable crafts that purposefully replicate the normcore aesthetic of folk art.

The so-called pluralism – simultaneous forms of art – extends to painting, and everything under this umbrella is represented here: figurative painting, abstraction, unpainted paintings, and painting that can be called “punk”, or works of art in which the artist appears. great for putting in a lot of effort. of New York Kapp Kapp (Stand 2.02) spans the spectrum, with a selection of vibrant, botanically inspired paintings by Molly Greene and a tribute to Hannah Beerman’s graffiti and collage. Occupying the opposite pole of painting are works that are socially engaged. Karla Diaz in the Los Angeles gallery Luis De Jesus (Stand 5.03). Diaz’s deep, color-saturated canvases tell personal stories of immigration from Mexico to the United States, while preserving folklore from his legacy. Ryan Crotty In the lower Manhattan gallery high noon (Stand 6.15) puts a spin on modernist formalism by making translucent abstractions with an acrylic gel medium that creates ethereal and iridescent results that look almost holographic. Other notable galleries displaying the paintings include Stephen Thorpe, Denny Dimin (Stand 6.14); at Mickey Lee single trick pony (Stand 6.01) and a group show Hole (1.01)

Then there are the paintings paired with ceramics. Anna Valdez in the Los Angeles gallery Ochi (Stand 4.14) shows both environments. Based on the paintings he made with books, plants, animal heads or horns, he also made ceramic vases in the brightly colored paintings he arranged in his workshop; some are displayed nearby, causing a kind of feedback loop between objects and images. Gustav Hamilton in the Denver gallery David B. Smith (Stand 4.09) collapses both: The wall reliefs are partly painting, partly ceramic.

Other galleries showing ceramics—many of which are wildly creative takes on traditional clay pots—include the communal submission of Lower East Side gallery neighbors. Fierman and situations (Stand 6.10); Los Angeles gallery Emma Gray Headquarters (Stand 2.06); Galleryrepresenting Provincetown and Cologne; Lefebvre and Fils (Stand 3.13) from Paris; secret project robot (Stand P18); and Sebastian Gladstone and Harkawik (Stand 2.03). There is a lot of ceramics.

While digital art is relatively scarce at NADA, there is a tour-de-force digital work, a Metaverse “Petshop” created by artist duo Exonemo (Kensuke Sembo and Yae Akaiwa) mounted at NADA. Nowhere (Stand 3.15) is a gallery dedicated to Japanese artists in New York. The installation includes cages stacked with computer monitors that appear to be “owned” by various people – sometimes anonymous – mysterious animals. (You can predictably track the progress of these pets online at: https://metaversepet.zone.)

The fair also includes a number of non-profit and curatorial initiatives. One that deserves mention Children’s Art Museum It has a pocket-sized installation in New York (Stand C6) in the Cultural Partners section. I thought the proceeds from the artifacts sold here would benefit the Children’s Museum – but no. In fact, children were allowed to set their own prices for the work they did. A kid wants a chocolate Easter bunny. Another wants three shoes (apparently one and a half pairs). And then there’s the 5-year-old whose job is $55,555. It wouldn’t surprise me to see this enterprising young man open a booth at NADA in, say, five years.

NADA New York

May 5-8 at Pier 36, 299 South Street, Manhattan; newartdealers.org



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