In “A Man Named Scott,” a documentary about Shia LaBeouf, a longtime friend of the genre-defiant rapper, and one of his superfans, Timothée Chalamet, he is among the men who say Cudi has helped them open up emotionally. They accept Cudi for reshaping hip-hop on their own terms.
But director Robert Alexander’s documentary doesn’t just remind you that the artist (real name Scott Mescudi) has revolutionized the genre, only softening the traditional definition of masculinity as himself. The film also offers a moving rumination on art and individuality and the invaluable connection between the two.
Through the biographical self-reflective framework of the document, Alexander leads the viewer to examine art from a psychological and representational perspective. The importance of Black visibility in art is a prominent issue, and watching Willow Smith dance as if not watching one of her favorite Cudi songs, “Sky Might Fall,” expresses Cudi’s profound influence on the youth led by her. disintegrating their own social structures.
More broadly, this is a movie about the music that makes us who we are, but as Alexander explores this topic, he raises a fundamental concern: What contribution does the development of this work make to its creator?
Cudi starts talking about his struggles. It actually reveals a lot of things – yet he stops to detail the process of making the 2015 album. Speedin’ Bullet 2 Heaven” admitted it was a “really dark time” for him. Thanks to his perceptual insights and a range of interviewees, from industry professionals to clinical psychologists, “A Man Named Scott” is a rare musician-focused doctor whose intentions are as sensitive, thorough and noble as Cudi himself.
a man named Scott
Not rated. Working time: 1 hour 35 minutes. Watch on Amazon.