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in every installment Artists, T highlights a recent or rare work by a Black artist and a few words from that artist that put the work in context. This week we’re looking at a painting by the artist and curator. Known for her vivid figurative paintings that address issues of belonging, marginal identity and Britain’s colonial past, Lubaina Himid. won in 2017 Turner Prizebeing the first non-white female artist to do so. A new solo exhibition of the artist will also be opened in the exhibition. modern in London on 25 November.
Name: Lubaina Himid
Age: 67
Based: Preston, England
Originally: Zanzibar
Where and when did you do this job? I have a studio at home but I painted this piece in my second workspace downtown. a part of A set of studios used by other artists I’ve known for the past 20 years. I like to work in my home studio in a more domestic way, getting out of bed in the morning and working right before doing anything else. But in recent years I’ve wanted to work on several big pictures at once in a bigger place. I just finished this piece. I’m not going to put it on the Tate show because I intentionally finished it after the deadline. But, I guess, the thing is, I’m still excited for him.
Can you describe what happened in the study? The figures are in a crowded place, full of people selling things around them and going in and out of the frame. Something is happening beyond our sight I think this is a little worrying. However, even in the dangerous situation she is in, the woman does not put her basket on the ground and start shouting. Instead, she signals the man to wait while she evaluates whatever it is. He too is looking and wants to take action, to protest. Eli sort of says “I don’t think this is right” or “I want to say something” but tends to see how the situation will unfold. Neither is wrong: Clearly, she has a right to want to participate, and I think she’s right to just consider things. I don’t know what just happened and I don’t know what will happen next; I think I left enough room in the picture, even physically for you to get into it, so you can decide and change it by being there.
Politics enters one’s daily life and one’s daily life enters into politics and sometimes it is difficult to see or judge a situation because you are too busy making decisions about your day. The older you get, the more difficult it becomes to know when to deal with a situation. When I was younger, I used to get distracted and say exactly what I was thinking. It’s not that I’m more tolerant – I’m just more open to negotiation. I want to weigh things up a lot more.
What inspired you to do this? This is a A continuation of a series of my paintings depicting men somehow negotiating. I am also interested in how women have to plan their whole lives from the age of 11. When your body starts to change, you need to start planning: you plan your months; plan your year; You end up having to plan your life. Still, you don’t see women in action very often in European paintings. You certainly don’t see them doing something outside the home and showing that it’s important to me. What inspired me, too, was a challenge I set for myself to bring so many elements to a painting and see if it would still work. Most of the time I try to give myself a seemingly impossible task with a picture and then try to get rid of it.
What is a work of art in any medium that changes your life? I guess it must be my setup”Naming the Money” (2004) consisted of 100 painted wooden cuts of human figures. I did this in my home, so for a year and a half I lived among those 100 people, talked to them, wrote the story of each. And while it didn’t change my life in the sense of “Oh, suddenly people discovered me as an artist,” it did help me understand the power of my ability to decide to do something that seemed nearly impossible. Now, the piece belongs to the lending National Museums of Liverpool and has become a signature piece of sorts. If I hadn’t succeeded, I probably wouldn’t have had the courage to do other things. It changed everything.
This interview has been edited and shortened.
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