‘Aline’: Crazy Celine Dion Movie in Cannes


CANNES, France — Cannes Film Festival it was supposed to be a sacred temple of the cinema, a place where solemn works of the most revered directors made their debut. But every now and then, something completely out of the ordinary sneaks in, a film so unlike anything in Cannes that it feels out of place… until it gets stuck so hard in its eccentricities that it somehow reverts to auteurism.

These nondescript films are often my favorite experiences of the festival, and so I have to tell you about it. “Aline”, a wild Celine Dion biography The movie that was screened at Cannes on Tuesday night and made the audience laugh. Let me put this aside: I’m still haunted by the then iconic decision of the movie’s 57-year-old actress-director Valérie Lemercier to play Celine Dion in every age of her life. Including as a 5 year old child.

You see a lot of frustrating things in Cannes, but this one definitely takes the cake.

“Aline” begins with a bit of disclaimer, as the opening title card states: “This movie is inspired by the life of Celine Dion. But this is a work of fiction.” Thus, although the story followed the rhythm of nearly every element of Dion’s life, the main character’s name is Aline Dieu instead, and it proved impossible to get the rights to many of Dion’s best-known songs. (Yeah, we’re dealing with “30 Rock” fans a Jackie Jormp-Jomp situation Request.)

Like Dion, Aline is born into a large Quebec family where she is the youngest of 14 children. Making her debut as a singer: At age 5, Aline takes the stage at her brother’s wedding and releases herself with an extraordinarily powerful singing voice. Dion did, too, but I’ll guess there’s one crucial difference in real life: When 5-year-old Celine sang at that wedding, she didn’t have the face of an AARP-qualified adult.

Reduced to Hobbit size and his Face almost forgotten, Lemercier scampers, preens, and annoying. I’ve never seen anything like it before: not “PEN15,” not John C. Reilly at the beginning of “Walk Hard,” not even fully grown. Martin Short plays a 10-year-old psychopath in “Clifford.” As a cinematic entity, Preteen Aline looks less like our main character and ready to scare Vera Farmiga in the next movie “Conjuring”.

Why didn’t they cast a real kid? As a French comedian, I was told that Lemercier often plays a child, but “Aline” takes it a few steps further: It would be like “Bohemian Rhapsody” if the movie had scaled down Rami Malek and played him. own teeth. have you seen these Twitter prompts Wanting you to re-imagine a classic movie with a character replaced by a Muppet? “Aline” reminded me of that, except that the main character is Muppet and is made of your nightmares instead of felt.

You might be thinking, “Well, this crazy 5-year-old part of the movie definitely isn’t taking too long.” You’re right, because the movie eventually ages Aline…to 12. Here, Lemercier plays as Aline, a quirky introvert who rose to fame after signing a manager Guy-Claude Kamar (Sylvain Marcel). The character is based on Dion’s own producer-manager. René AngelilLemercier and Lemercier, whom she met when she was young and eventually married, describe this troubled pairing as Aline’s greatest wish in life.

Practically speaking, that means we’re watching a 57-year-old 12-year-old actor fall in love with his 40-year-old manager. I don’t know what to do with any of these! Whenever Aline’s mother tried to break off the relationship by saying that Guy-Claude was too old for Aline, I felt my brain short-circuited.

Is Lemercier trying to confirm the romance by playing Aline by suggesting that the young woman is just an old soul? When Aline becomes an adult (which she and Guy-Claude finally do), I’m not sure Lemercier is still playing her as a candy-loving, boyish diva.

In the end, you just have to give in to “Aline”’s bullshit, and at least that sense of humor comes from a familiar place, sometimes when Aline starts her Las Vegas residency and gets lost in the giant mansion she just bought. After the movie’s main romance unravels within the first hour, “Aline” reviews Dion’s adult life for the stand-alone episodes: she chooses a dress for the Oscars! She is undergoing fertility treatment! Guy-Claude now has a ponytail!

But even the simpler dramatic scenes of the movie still contain some madness. Almost can’t help it: After half an hour of sitting on Preteen Aline, nothing feels normal anymore.

And maybe that’s how “Aline” should be. Cultural figures don’t become more mainstream than Celine Dion, but even her biggest fans would agree that the woman exuded a purely campy vibe. I can’t explain half of the directorial choices made in “Aline,” but at least they’re so stupid and different that I’ll think about them for years. Damn Palme d’Or: In an age where musical biographies are increasingly wasted, I know “Aline” will continue.


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