‘All Old Knives’ Review: Shooting Daggers on the Table


Espionage thrillers often hit the traffic in a shambles that travels the world, so “All Old Knives” It’s refreshing to find someone who’s the main ingredients for two smoldering stars at dinner.

Chris Pine plays Henry, a CIA agent. Thandiwe Newton plays Celia, a colleague who leaves the agency after her teams in Vienna fail to solve a mass-killing plane hijacking. The current action is determined after eight years. The head of their division (Laurence Fishburne) has learned that a mole may have provided information to the perpetrators. Celia, on the other hand, is in an ideal position when her ex, Henry, catches her in a lie.

So the two old flames meet at a waterfront restaurant in Carmel-by-the-Sea, California to talk about how fresh the fish is, how good the bacon smells on Henry’s appetizer, and whether Celia has been leaking secrets to international terrorists. Flashbacks show us who was where and when. And aside from a flashy (visible) single shot that introduces the staff in the Vienna office, director Janus Metz mostly makes things quick and easy, based on a screenplay by Olen Steinhauer (who also wrote the novel). everything looks like a magazine spread.

One drawback of the small scale is that it only allows a handful of suspects; Celia’s accusatory call may also have come from her boss (Jonathan Pryce offers endless subtle variations on how to act tense in each scene). While “All Old Knives” continues to cleverly reset the table it lays out, it cannot fundamentally change the dish.

All Old Knives
R. Sex, graded with a sophisticated dash of Vienna. Duration: 1 hour 41 minutes. in theaters and on Amazon Prime Video.



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