‘All Streets Are Quiet’ Review: Hip-Hop and Skateboarding Collide


In the late 1980s and early 90s, much earlier hyper monsters Skaters gathered in a smaller shop on Lafayette Street spent hours outside the Supreme store in SoHo, waiting for the coveted discounts. There they would smoke cigarettes, watch skateboarding videos, listen to music, and joke with their friends.

Director Jeremy Elkin’s documentary “All Streets Is Quiet” is a portrait of that time, capturing the transformative moment when hip-hop and skateboarding culture converged in New York. It draws on archival footage of influential names like Justin Pierce and Harold Hunter among dozens, and features new interviews with major players such as the following. Fab 5 Freddy and Darryl McDaniels, Run-DMC. Throughout, Elkin explores how racial relations with both subcultures are torn apart as their worlds collide.

The film cheers up with blurry, candid home videos from the era, courtesy of narrator Eli Gesner, who spent most of his youth filming the scene with his camera. There are images of skaters dodging traffic on Astor Place or partying at the now-defunct hip-hop nexus Club Mars. At one point, a young Jay-Z appears, rapping in a lightning-quick breakout. The film draws us into this world with a loving, caring homage to the city’s street culture before it went global.

As a result, “All Streets Are Quiet” can deliver more than just nostalgia. A final consideration of the mainstream explosion of these subcultures is uncertain and offers surface-level analysis. The film stands out when it draws on the sad excitement of a bygone era, reminding us of a rich, creative past that deserves ample recognition.

All Streets Are Quiet
Not rated. Duration: 1 hour 29 minutes. In movie theaters.


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