Andy Warhol for Religion and Sexuality Nested


art historian John Richardson, 1987 St. Andy Warhol glittery crowd, calling the artist said about the Catholic faith in commemoration Patrick’s Cathedral, said: “Your circumstances may be surprised that her spirituality opposed to the existence of such a side. But he was there and the key to the artist’s soul. “

“Andy Warhol: Revelation” An exhibition at the Brooklyn Museum paradigm-changing, it gets compliments and moves with him, Warhol’s art and more people-oriented private selves observed by Richardson finds plenty of evidence of religious belief. Explores the concerns and complexity of all of Warhol’s Catholicism – all the attention he gave his life as a homosexual and the Pop Art of a secular consumer objects and celebrities.

These conflicts, such as table 1985-6, emerges in the lesser-known works. “Last Dinner (Embodying the Be One),” This is Leonardo da Vinci’s Christ the ad combines with the buffer fitness model taken out and Heinz ketchup logo by screen-printed boxes like familiar objects in new reading (here in connection with the bread and wine of the Catholic ritual, supermarkets).

The show, curators and academics to Warhol’s more interesting biographical and identity-oriented reading reflects a new emphasis: more people, less people. Whitney’s 2018 blockbuster film “Andy Warhol: From A to B and Back Again was” artist’s early period, gave considerable ground to clearly homoerotic drawings; In the Netherlands Cotter Wrote The New York Times, the inclusion of these works, “art – if we use a term academic theory – how their version of the American culture and make us think about the extent to which tuhaflaştır: he questioned the validity revealed the contradictions, turned to the inside. Out.” Similarly, travel poll “Andy Warhol: Lifetime” opened this week exhibition at the Aspen Art Museum, “the artist brings a strange perspective” (based on the exhibition website) and “to examine in parallel with the work of the artist’s life” brings to the archive materials foreground.

Andrew as Warhol as the child of a family that emigrated from Slovakia in Pittsburgh born Warhol, Ruska Dolina district of the city (Byzantine Catholic Church of St. John Chrysostom mainly Carpatho-Rusyn working class as a center for the population) has grown. Every weekend ritual with his mother and attended here as well as other icons of the apostles St. John, St. Andrew, St. Thomas and St. Peter saw the pictures; borrowed from the church for this exhibition, Warhol’s upbringing remain a landing dock in the gallery religious ephemera. Nearby, the artist’s mother, Julia Warhola, his faith influence on – up to adult life he continued to live with her – a delicate drawings of angels can not be overestimated. (In an article in Esquire in 1966, calls her “a pious child,” he said.)

Warhol also, gold floors of the Byzantine Catholic tradition that is often compared to Marilyn Monroe’s image on a gilded icon would be familiar with the background image. The show could use one of these brilliant works – the Museum of Modern Art “gold MarilynIt comes to mind – although probably created by Warhol in the 1950s and worked as a commercial illustrator on vacation involves the delicate gold leaf collage of a nativity scene on the ad campaign, though.

Overall, the exhibition (head curator of the Andy Warhol Museum in Pittsburgh, the demonstration started in 2019 was organized by José Carlos Diaz and Brooklyn assistant has been moderated by curator Carmen Hermon) is based on more obscure material from the Warhol Museum collection or preparation can be considered as incomplete including jobs. A fascinating example of “Modern Madonnas” (made in collaboration with photographer Christopher Makos) model for women who are nursing their children abandoned project an image titled 1981 series are drawings and photographs. Curators, these images will not be well received, apparently worried that they are doing an excerpt from the explanatory Warhol: “I know only that directory would be a problem. Mothers, babies and breastfeeding is a strange thing. “

Warhol’s interest in the infinite body fluids and processes, the most powerful of the exhibition “The Catholic Body” section in examining more. Here, Warhol’s clear tension between the Catholic upbringing as a gay man in my adult life, abstract stained with semen and urine droplets small cotton and linen canvas and is revealed in the above-mentioned bodybuilders Jesus statements. Since the early 1980s, this work and others speaking curators, Warhol Museum curator Jessica Beck, referring to recent research, Warhol’s “nested faith and sexuality” with well-documented AIDS are establishing a strong link between fear.

Warhol Factory members, especially after 1968, by Valerie Solanas shot during an assassination attempt, was plagued by fear and vulnerability of their body usually emerges in Catholic imagery. Richard Avedon’s famous photograph in 1969 – after Warhol’s shot close-up of crossed body with wounds received surgery – bound to a tree in the many images from the West and a Christian martyr depicted as pierced with arrows Saints would be Sebastian. Art.

Disease fears of imperfection and bodily decay, Leonardo’s “Last Supper” painting reached its peak in the late based on what a kind.“- A day after gallbladder surgery last series had exhibited before dying of cardiac arrest. These works were shown to great fanfare at a monastery just opposite Leonardo’s mural in Milan in 1987 – Brooklyn consisting of two large-scale picture gallery and a stunning popular, sometimes an event represented by a sampling kitschy. Warhol’s reproductions that based on them.

Warhol’s “Last Supper to the” u previous commentr “ pictures, always tended to focus on existing ideas about the famous and artistic copy Warhol. riff on LeonardoBut they Becker AIDS opens a compelling case as painful expression of grief and fear in response to the crisis (especially Warhol’s disease after killing her boyfriend Jon Gould in 1986).

Warhol’s ‘Last Supper’ paintings, respected for his Leonardo’s masterpiece, even ahead of their Catholic faith of exposure, faith is a confession of the conflict he felt between and sexuality, “he writes,” and finally in the liberation of the gay community’s pain suffered during these years demand. ” (his articleFirst place in the Whitney catalog of the exhibition “Andy Warhol: Revelation” is not located in a small book, but available online and must be read.)

How did the Catholic Warhol in his own eyes? Day in, they went to church often, but sometimes just “fifteen minutes” We know it’s going. Blake Gopnik, his recent biography Warhol, Warhol is opposed to the idea that an ardent Catholic. “Throughout his life, Warhol was certainly a regular church-goers, at least occasionally,” he says. “However, the artist’s heart to look at or is it a deep piety instead of aesthetics and a very practical superstition has no way of knowing whether a mixture – after all, put the crystals to prevent disease, and that is not right. it makes less sense than Christian prayers, to billing as normal or less effective. “

Absolutely Warhol was disrespectful enough to do jobs such statements. “My God, for $ 9.98,” For a night light in the form of Jesus it is based on a newspaper ad. And in 1981 and 1982 for an exhibition in Madrid and establishing clear links between the cross with a crucifix “Guns, Knives and Crosses” as seen in a series called, he was not afraid to criticize the role played in the history of the Catholic Church. other violent means.

“Andy Warhol: Revelation” After I watched, it’s hard to argue the idea that Catholicism is important to Warhol. Rituals, structure and even leaked to some beliefs, art and made it difficult for us to him and understand him.

This is designed to support the Vatican’s ecumenical pavilion, it emerges a special sensitivity in a charming film reels from an unrealized project. Hemisfuar of 1968 (The official World’s Fair that year) in San Antonio. Warhol’s Menil commissioned by the family and funded by the Catholic Church, the original idea was to show the sun in various parts of the country. The pavilion remaining uncertain for reasons never completed; Warhol then 25 hours of footage was included in the 1967 movie.****(Four stars). “

In excerpts of about 15 minutes at the Brooklyn Museum, the singer Nico slowly life and death, light and darkness encrypted lines when reading about the sun goes down somewhere in the Pacific Ocean along the California coast. According to the first impression, not like a Warhol work – dark purple bands of the sunset, the film has earned comparisons with another Menil commission. Rothko Chapel. But deeply, spiritually and in a convincing way.


Andy Warhol: Revelation

Until June 19, the Brooklyn Museum, 200 Eastern Parkway; 718-638-5000, brooklynmuseum.org.




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