As Mamet Returns to Broadway, Pedophilia Allegations Raise


The last two weeks of preview performances for “American Buffalo” were played in houses that were 93 percent and 88 percent full, according to the Broadway League. (Through a representative, production director Neil Pepe and producer Jeffrey Richards declined to comment.)

mamet embrace the Trump presidency; told Guard Earlier this year, Trump did a “great job” as president, suggesting that his defeat in 2020 was “doubtful”. In “Recessional,” he writes that Trump “speaks the American language, and those of us who love that language are afraid and happy to hear that from an elected official.”

“One of the reasons why my friendship with David has survived all these years,” said comedian Jonathan Katz, “is that we never discuss politics.”

Much earlier, Mamet seemed to question the liberal outlook that she said had surrounded her in the theater world with her 1992 play “Oleanna”. The film depicting a controversial sexual harassment claim made by a female student against a male professor, you read as questioning political correctness. For Oskar Eustis, the Artistic Director of the Public Theatre, “Oleanna”, which Eustis watched in his original screening at the Orpheum Theater in the East Village, featuring Mamet’s longtime collaborator William H. Macy and Mamet’s wife, Rebecca Pidgeon, one shift.

Eustis said Mamet’s early plays were “morally very ambiguous and complex.” Eustis, who had never worked with Mamet, argued that with “Oleanna” “she actually started hitting the scales”.

But Leslie Kane, a retired British professor at Westfield State University who has written several scholarly books on Mamet and says Mamet has grown closer to him and his family, warns that Mamet’s long-standing obsessions as an artist are torn between some of his later political stances. crossing line detected. . “His concern is language and his ability to use language,” he said.

But Mamet, who has recently made freedom of expression a central issue, is not a fan of post-show discussions of his own works involving members of the productions. in 2017 made the news Provided that none of the discussions known as talkbacks can take place within two hours of their play’s performance and a fine of $25,000 is imposed for each offense. In his new book, he says talkbacks “turn an evening at the theater into an English lesson.”



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