Beeple Trying His Hand at Art for Walls

A cavalry of crypto enthusiasts flocked to Manhattan’s TriBeCa neighborhood Thursday evening, waiting outside. Jack Hanley Gallery for the chance to meet in person the messiahs of the arts online. Celebrities like Jimmy Fallon were in the mix. Digital artist Mike Winkelmann, known as Beeple, was a rock star welcome putting the finishing touches on pictures of beheaded tech executives and jumbled science experiments.

Last year, 40-year-old Winkelmann introduced the world to NFTs (or immutable tokens), starting with its $69 million sale.Every Day — First 5000 Days” at a Christie’s auction, cryptocurrency busy schedule with culture. now he ask for approval from the art institution with its first gallery exhibition nameduncertain futureaimed at persuading critics your work has more meaning than what it sees on the screen.

“I am in a strange situation,” Winkelmann said at the gallery that night. “I am an outsider in the traditional art world. I didn’t feel that way until recently because I’ve been doing this work in the digital art community for a very long time.”

That’s why Winkelmann produced an exhibition on walls instead of screens, with 13 paintings and prints that imagined an apocalyptic future where companies like Amazon and Facebook were wrecked, and whose founders were vessels of arrogance and greed. Prices range from $75,000 to $300,000. None of the hundreds who attended had a chance to buy Beeple on Thursday night; when the doors opened, all the artworks were in reserve, they were bought.

Still, Winkelmann continues its rise in NFTs, pairing each physical work with a blockchain-based collection for authentication purposes. He said that most of his fortune from the Metaverse goes back to his art.

Winkelmann recently moved into a new 50,000 square foot industrial studio space in Charleston, SC. His younger brother, Scott Winkelmann, left his job at Boeing aircraft company to oversee the 16 full-time employees responsible for making the artist’s dreams come true. (The staff includes several aerospace engineers from Boeing.) Other family members joined the team, including the son’s mother, who had an office in the studio complex.

Several advisors from the crypto and cultural worlds also joined the Beeple team, including blockchain venture capitalist and NFT collector Jehan Chu, who attended the launch.

“There are two art worlds right now,” Chu said, adding that he hopes more museums and galleries will transition to digital art. “The traditional art world is still learning about the core values ​​of the NFT field.”

The development of the exhibition began nine months ago when Winkelmann called the gallerist Jack Hanley. “I was initially skeptical of all the hype,” the dealer said. “But Mike has a really clear critique of big tech. He’s hilarious too.”

Hanley has spent the last 35 years supporting foreign artists such as Raymond Pettibon and Peter Saul, who slowly gained institutional recognition after being fired for no formal art training. The dealer said Winkelmann could be the next generation, although not everyone in the gallery agreed; Hanley has confirmed that some of the artists she represents have resigned to protest the Beeple exhibit. As Artnet News reports.

Fans say Winkelmann’s ability to shock the establishment is part of his appeal.

“The essence of Beeple is between a satirist and a troll,” said Simon Glenn, 26, a web developer. Print It imagines a future where Netflix is ​​reduced to broken television sets and rusty shipping containers. “He asks what the company would be like without its employees.”

Towards the back of the gallery, the artist Julia SinelnikovaShe was fascinated by a large painting showing the disfigured head of 32-year-old Jeff Bezos quarantined in an “excessive testosterone dump.” He appreciated Winkelmann’s willingness to criticize the leaders of an industry who supported his work.

“I’ve been looking at Beeple’s work for fun for a long time,” Sinelnikova said, squinting at the artist’s phallus-filled portrait of the Amazon founder. “But the work in the gallery here is much more beautiful and detailed than I expected.”

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