2020 quarantine and isolation did not succumb Brandi Carlile. The exact opposite. Her seventh album “In These Silent Days” challenges the extremes of Carlile’s songwriting. He empathizes, apologizes and makes accusations. He is right and self-doubt. She sings joyous lullabies and screams with her mouth full. The album reaffirms and polishes his ambitions.
Carlile’s music with songwriting partners and bandmates Tim and Phil Hanseroth (on bass and guitar) harks back to the handcrafted sounds of 1970s rock. Songs from “In These Silent Days” are dedicated to Joni Mitchell (“You and Me on the Rock”) and Kim (“Broken Horses”). Still, Carlile is definitely a figure of the 21st century: a married gay mother of two daughters who skipped the country music establishment to reach her own ardent audience.
From the very beginning – Carlile released her debut album “Brandi Carlile” in 2005 – her talents were evident. He writes melodies that garner drama as they unfold, with lyrics filled with compassion, close observation, and sometimes heroic metaphors. His voice may be clear and reassuring, or he may be violently torn as he strategically lays out his surprising range. As early as 2007, with the title track of his second album, “Story,” Carlile proved his confession in belting the rafters. Although her debut albums occasionally morphed into melodrama, her emotional strength was undeniable.
“In These Silent Days” follows Carlile’s long-deserved recognition with her 2018 album “By the Way, I Forgive You” and flagship single “The Joke”. their time will come. In 2019, it was nominated for a Grammy for Song of the Year and Carlile’s show prime-time performance introduced him to a new fan base.
Carlile chose to share the added interest. He collaborated on the writing and production of “While I’m Livin’,” a Grammy-winning comeback album. for country singer Tanya Tuckerand formed an Americana alliance, High Women, with Natalie Hemby, Maren Morris and Amanda Shires. He has done all Joni Mitchell’s “Blue” album A concert in Los Angeles that he will bring to Carnegie Hall on November 6.
As the pandemic shortened her tour years in 2020, Carlile completed her memoirs: “Broken Horses” and wrote songs on campus they shared with their band members in Washington state. They recorded their new album in Nashville with Dave Cobb and Shooter Jennings, who also produced “By the Way, I Forgive You.”
“In These Quiet Days” reinforces Carlile’s strengths: musical, writing, mothering, political. It opens with the latest ballad performance, “Right on time,” The song begs for reunion and a second chance: “You can be angry now – of course you are,” Carlile admits with breathless hesitation before the song begins its great ascent in the choir. “It wasn’t true, but it was just in time,” Carlile declares, perfectly balanced between personal heartache and fainting, climbing to the top of the opera and leaping up from there in the final iteration. In a few seconds of sound, he makes himself both larger-than-life and painfully human.
“Broken Horses” does not wait for it to occur. It’s a fanciful, non-linear song filled with defiance—”I’m a tried-and-worn woman, but I’ll never be tried again,” Carlile swears—and from the very beginning, Carlile’s voice was on the verge of screaming. hard strumming guitars and booming drums straight from “Who’s Next.” There are moments of pause in paused, sustained fits, but Carlile is as simple as ever, hurts and anger.
In “Sinners, Saints and Fools” he makes a more measured start with electric guitars and orchestral strings gathered behind him for a final surge. The song is a parable about legalism, fundamentalism, and immigration; A “God-fearing man” says “You cannot break the law” and turns away “desperate souls hitting the sand” without documentation, but finds himself back from heaven.
Carlile tells it the same way in quieter songs. She sings to her children in “Stay Gentle” – “It’s wise to find joy in the dark/They’ll think you’re naive” – and even more somberly, she calls it “Mama Werewolf”. for them to hold him to account if he becomes destructive: “Be the only one, my silver bullet in a gun.”
Bends the blade neatly “Throwing Out the Good After the Bad” A glorious, pensive yet resentful piano song about being left behind by someone who will always be “rush, chase, new addict”. And in “When You’re Wrong” she sings to an aging friend – “The wrinkles on your forehead run like the tracks of a tire” – trapped in a relationship that “pulls you down as you slowly waste your days”. In Carlile’s songs he clearly and uncompromisingly sees human flaws, including his own. Often times, he finds ways to forgive the music.
“In These Quiet Days”
(Low Country Voice/Elektra)