Carnegie Hall Announces 2022-23 Season


Carnegie Hall announced on Tuesday that it will return to full schedule next season with more than 150 concerts, after shrinking its current season as it grapples with the disruptions brought by the coronavirus pandemic.

Scheduled to run from September to June, the 2022-23 season will offer the presenter’s typical variety of soloists and ensembles, but with a serious focus on female musicians and composers.

“We wanted to show that there are truly extraordinary women who are so recognized on the world platform in every field of music, whether it’s music, jazz, classical or world music,” Carnegie’s executive and artistic director Clive Gillinson said in an interview. .

The season’s cast includes an outstanding pianist. Mitsuko Uchida and singer-songwriter Rhiannon Giddens, who will each host a series of Perspectives concerts; flutist Claire Chase as resident artist; and performances by conductors, including Marin Alsop, who will lead the São Paulo Symphony Orchestra’s Carnegie debut, and Susanna MalkkiHe will lead the Helsinki Philharmonic Orchestra, which is traveling to Carnegie for the first time in more than half a century.

The programming was also inspired by the war in Ukraine. In February, the hall will host the Ukrainian Lviv National Philharmonic Orchestra, whose performance includes Tchaikovsky’s First Piano Concerto featuring the Ukrainian-American pianist Stanislav Khristenko.

“This is a turning point in history,” Gillinson said. “It’s really important for a dictator not to win. We felt we had to support Ukraine very openly.”

Gillinson said Carnegie initially planned to open the season with a three-concert appearance by Russian conductor Valery Gergiev and the Mariinsky Orchestra. But the hall abandoned those plans when Gergiev, a longtime friend and supporter of Russian President Vladimir V. Putin, invaded Ukraine in February. widespread condemnation.

Instead, Philadelphia Orchestra and music director Yannick Nézet-Séguin will perform Ravel’s “La Valse” on opening night September 29; Gabriela Lena Frank’s “Chasqui” from “Leyendas: An Andean Walkabout”; Dvorak’s Symphony No. 8; and Liszt’s Piano Concerto No. 1 with Russian pianist Daniil Trifonov. (The Philadelphians rescheduled their opening nights to place Carnegie with multiple appearances in the hall next season; not the first time During the war in Ukraine, Nézet-Séguin came to the rescue of the hall.)

Gillinson said audiences are optimistic about the reveal. Since the venue reopened in October, attendance has been relatively strong at around 88 percent, despite fewer concerts overall, compared to 91 percent pre-pandemic.

Among the proposals are 15 highlights chosen by New York Times critics and writers.

Pollini turns 80 this year, so take the opportunity to listen to these most stimulating pianists, especially in the repertoire that has made them distinctive over the sixty years of their career. He plays Schumann’s “Arabeske” and Fantasy in C before Chopin’s second half. Ballade No. 4 and Scherzo No. 1 DAVID ALLEN

While he was the band’s outgoing music director, Mirga Gražinytė-Tyla. Debussy’s “La Mer”; and most importantly, the New York premiere of Thomas Adès’s “Destroying Angel” Symphony. JOSHUA BARONE

Absent from Carnegie for more than three decades, the Philharmonic performed more at Lincoln Center. The orchestra will now have the New York premiere of Gabriela Ortiz’s “Kauyumari” and María Dueñas’ Violin Concerto and Arturo Márquez’s “Fandango”. For Violin and Orchestra” with Anne Akiko Meyers. JAVIER C. HERNANDEZ

This harpsichordist’s final recording of Bach’s “Goldberg” Variations is meditative, sensual even when upbeat, and is one hour and 45 minutes long. The variations become worlds in which one loses oneself, less tense dramas than absorbing studies of texture and sound; this is an effect that can well be reinforced when the piece is played in the intimate Weill Recital Hall. ZACHARY WOOL

Kudos to Beatrice Rana, a sensitive, perceptive pianist who has set out to do the hard work to challenge the prejudices of her inherited repertoire. He will play Clara Schumann’s young Piano Concerto with Nézet-Séguin and the Philadelphia Orchestra. Rana returns for a relatively traditional Bach, Debussy and Beethoven recital on April 20. ALLEN

A creative programmer and talented singer, whose voice and presence are both calm and simmering, this bass-baritone is reimagined by Caroline Shaw, Bach, Margaret Bonds and Julius Eastman, and Moses Hogan and Tyshawn Sorey. WOOL

This distinguished orchestra played Mahler’s Seventh Symphony the last time it performed at the Carnegie in 2016. Performing there for the first time under current chief conductor Kirill Petrenko, he brings back the Seventh, then does it again two nights later. In between, Andrew Norman, Mozart and Korngold have a program – the great Symphony in F sharp, which Petrenko has recently championed. WOOL

America’s finest orchestra will perform only once next season, but with a program that draws fascinating parallels between two of its music director Franz Welser-Möst’s most beloved composers. Berg’s “Lyric Suite” circles around Schubert’s dark, unfinished Symphony No. 8 before a rare performance of Schubert’s late reflective Mass in E flat. ALLEN

In collaboration with dance organization Movement Art Is, this reliable innovative percussion quartet will continue to renew its repertoire. Already adept at the Carnegie work of John Cage, Steve Reich, and Dev Hynes, the band performed Tyondai Braxton’s “Sunny X”, Jlin’s “Perspective” and their own selection of Philip Glass’s “Aguas da Amazonia”. will sing. WALLS OF SETH COLTER

A Rachmaninoff piano concerto is daunting. But all four in a single evening, and “Rhapsody on a Theme by Paganini”? This challenge was never attempted at Carnegie, but Yuja Wang will take up the keyboard under Nézet-Séguin’s conduct in a program to celebrate the composer’s 150th birthday. HERNANDEZ

Since the Russian occupation, many members of the Ukrainian Lviv National Philharmonic Orchestra have left – some remain in the country, others flee as refugees. At Carnegie, as part of a tour led by Ukrainian-American conductor Theodore Kuchar, they will come together to play Brahms’ “Tragic Overture” Tchaikovsky concerto, along with the “New World” Symphony by Khristenko and Dvorak. HERNANDEZ

One of our reigning and most sensitive pianists, Uchida’s latest Carnegie performances have featured the works of Schubert and Mozart, the two composers on whom he built his reputation. Beethoven’s interpretations, which are a sampling of a program of cosmic final piano sonatas, are less important but no less successful. baron

Matthias Pintscher, the band’s music director, will direct Schoenberg’s Five Pieces, Op. 16 and Pintscher’s “Sonic Eclipse”. But the real meaty one on offer is “Derive 2,” a major (and long-reviewed) work by avant-garde Pierre Boulez, who founded the Ensemble Intercontemporain. WALLS

As in recent months, this ensemble is nearly on the roster for next season, including Nézet-Séguin and the Metropolitan Opera Orchestra, another Carnegie fixture, one of the three he led. It is this contrast between their most interesting program, John Luther Adams’ program. climate meditation “The Vespers of the Blessed Earth,” featuring The Crossing choir group, and Stravinsky’s “The Rite of Spring.” WALLS

Chase’s “Intensity 2036” – a ten-year attempt to commission a new flute repertoire marking the centenary of Varèse’s “Intensity 21.5” – has so far gone unpaid for the Carnegie crowd. But the project is moving out of town from the Kitchen with Episodes I and II on May 18, and a week later is the world premiere of Episode X: Anna Thorvaldsdottir. baron



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