Cuban-born Carmen Herrera, who rose to fame at the age of 89, dies at 106


At the age of 94, Giacometti was thin, wearing wire-rimmed glasses and Miss Herrera, with shoulder-length, bone-white hair, a gorgeous woman in a wheelchair, suffering from arthritis but still painting. How had she persevered after decades of obscurity?

“I do it because I have to; It is a compulsion that also gives me pleasure.” told The Times in 2009. “I’ve never had an opinion about money in my life, and I thought fame was a very rude thing. So I just worked and waited. And at the end of my life, I get a lot of recognition, for wonder and delight actually.”

Turning 100 years old in 2015, her status in the modern art canon was confirmed with the release of Alison Klayman’s half-hour documentary “The 100 Years Show” and the addition of two tracks by Miss Herrera, “Blanco y Verde.” ” (1959), as the Whitney Museum of American Art, opened its new home in Manhattan’s Meatpacking District with work by Ellsworth Kelly, Frank Stella, Agnes Martin, and Jasper Johns.

“It’s time,” Ms. Herrera told a reporter while drinking a whiskey on her rooftop on East 19th Street near Union Square. “There is a saying that if you wait for the bus, it will come. I waited almost a hundred years.”

In 2016, Miss Herrera was showered with praise when she opened “Lines of Sight,” an exhibition of 50 paintings focusing on the period between 1948 and 1978, in which Whitney developed her distinctive geometric abstractions, including a canvas with backgammon. -Like the long triangles with the title “A City” (1948).

“At 101, artist Carmen Herrera finally gets the show the art world should have given it 40 or 50 years ago: a solo exhibition at a major New York museum,” Karen Rosenberg told The Times. “The show presents him as an artist with tremendous discipline, coherence and clarity of purpose, and a key player in any history of postwar art.”



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