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For fans who remember Lindsay-Hogg’s movie or read depressing anecdotes from dozens of Beatles books, scenes of Jackson’s lighthearted antics and creative breakthroughs leap off the screen. We see the Beatles smashing each other on the microphone, imitating flamboyant accents, and making an absurd slapstick as if they were in a “Monty Python” skit.
“You get to see these four great friends, these great musicians, who have locked and developed these songs, and you see them all on screen,” Jackson said.
New material is taking shape day by day. Polishing the lyrics to the song “Get Back,” McCartney and Lennon are testing the names of a character who has left his Arizona home: Jojo Jackson, Jojo Carter, Jojo Daphne. Shaving the last name gives McCartney enough syllables for a little more clarity in the story: “Jojo left his home in Tucson, Arizona…”
“Is Tucson in Arizona?” Lennon chewed gum and looked up. he asks.
The original “Let It Be” was shot on 16 millimeter film and inflated to be grainy up to 35 millimeters. Generations of fans, if they’ve ever seen it, have only had access to the film through lousy smuggled footage from videotape. It was never officially released on DVD or online formats.
I told Jackson 20-odd years ago when I finally saw the movie “Let It Be,” my local video rental shop wanted a $100 cash deposit. Jackson bought an old copy of VHS and said he long regretted not buying it while visiting the United States in the early 1980s, but the format couldn’t be played on his machine in New Zealand. While making “Get Back,” he tracked down an original for $200 on eBay.
“I don’t have a VHS machine,” he said, “so I still can’t play it.”
Jackson’s restored footage in “Get Back” is stunningly clear and helps bring the Fortress Beatle’s inner story of creative anxiety and creature comforts to life. While the musicians rehearse, the attendants pour wine into glasses; While Yoko Ono draws Japanese calligraphy, a few meters away, Lennon and McCartney continue on in “The Two of Us,” in silly accents.
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