Eden Deering Started His Art Career at the Age of 8


Name: Eden Deer

Age: 30

Hometown: New York City

Now Lives: She’s in a one-bedroom apartment in the Williamsburg section of Brooklyn she shares with her boyfriend, Weston Lowe, who also runs a gallery.

Claim to Fame: Ms. Deering is a director at her company. PPOW, a contemporary art gallery TriBeCa It grew out of the East Village art scene of the 1980s. She curates exhibitions that comment on social life and feed on books. “Everything for me starts with reading,” said Ms. Deering. “Writers and artists have always been in dialogue with each other. Books give me a tool to think about the importance of art.” The first group exhibition in 2019 “Do you love me?He focused on “the unbalanced power dynamic between those who desire love and those who have the power to give it in our culture”.

Big Break: Ms. Deering unofficially began her art world internship at the age of 8 by her mother, Wendy Olsoff, one of the founders of PPOW. Art Basel in Switzerland, Venice Biennale In Italy and at the studios of various artists. While working as an assistant in 2016 Gladstone GalleryHe started a traveling art collective, duplex, with Sydney Fishman. Duplex now has a permanent gallery on Essex Street in Lower Manhattan. “My friends are all artists,” he said. “That’s why I’m here.”

Latest project: Ms. Deering will lead the program at PPOW’s second downtown gallery, which will open this year a block away. “It’s a field for experimentation,” he said. “We can’t always work with the artists I bring in for group shows.”

Next thing: PPOW’s 2022 writing exhibition will feature feminist landscape paintings, including works by artists. Carole Schneemann, female artists in their 20s and some from the 19th century. “Carolee always said she was a painter,” said Ms. Deering. “The general culture does not see him as one.”

Personal space: Her mother and Penny Pilkington, who founded PPOW in 1983, are still involved in the gallery. “I am honored to work for such incredible women,” Ms Deering said. He thanks the co-founders for their clarity of purpose. “Artists need money and space to work,” he said. “And that has always been Wendy and Penny’s #1 priority.”



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