‘External Noise’ Review: Walking and Talking in Vienna and Berlin


A sleepy trip around Vienna and Berlin, “Outside Noise” is independent director Ted Fendt’s third feature film.“Classical Period”) and took place mostly in Europe for the first time. The focal characters are young women who follow the various, vague creative calls without hesitation. Fendt is more interested in tracing their architecture than thinking about the cause or consequences of their boredom, and the film warmly monitors their leisure time.

We spend most of our time with Daniela (Daniela Zahlner), a literary type fond of flowy linen and messy buns. Natural light filters into his tiny apartment in Vienna, which suffers from insomnia at night and aimlessness during the day. The movie begins with Daniela becoming a New York City tourist. After returning to Europe, he stays in Berlin with his friend Mia (Mia Sellmann); where Daniela perched on a window sill reads a book, wanders around the city, and meets Natascha (Natascha Manthe), Mia’s graduate classmate. , to lend him some money.

This might sound like a plot start, but the “Outside Noise” episode doesn’t quite repeat. While Fendt has previously bolstered films with strange humor, the mood here is ruminative. (Alongside Fendt, Zahlner and Sellmann are credited as writers.) Fendt shoots a beautiful 16mm and 35mm film, and the texture of the film, with its female considerations, is at times reminiscent of several female-directed films from the late 1970s. early 80’s: “Girlfriends” “Blacksmiths” and “Variation.” Although less lively than its predecessors, Fendt’s film is equally determined to capture the aura of an independent city dweller who finds his way.

External Noise
Not rated. English and German, with subtitles. Working time: 1 hour 1 minute. In movie theaters.



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