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‘My heart won’t beat unless you say it’
This was one of my favorite horror movies of 2021 deeply moving, brazenly violent dramaWritten and directed by Jonathan Cuartas, about a weak teen blood drinker and his sibling caregivers. Cuartas said he was inspired by his family. own difficult experience caring for her grandmother in the nursing home; The pain of that time is revealed in his deep, empathetic film about compassion and what it means to be bound by blood.
Dwight (Patrick Fugit) spends the night pulling the loners and outcasts to their deaths on behalf of his home-bound brother Thomas (Owen Campbell), who needs fresh human blood to survive. Their sister Jessie (Ingrid Sophie Schram) balances her waitress job with the responsibility of keeping the tight-knit family secret. As Thomas longs to leave home and make friends, his bloodlust begins to overwhelm the family and the consequences threaten to tear the siblings apart.
Cuartas does the clever thing in his film: he never uses the word vampire, and the characters struggle with emotions around sacrifice, sadness, and anger, not what often drives a vampire narrative. Instead, his brother Michael Cuartas, the director and the man behind the film’s eerie cinematography, shatters our expectations and delivers in return a sad and brutal film that will break your heart.
A young mother (Najarra Townsend) is driving down a deserted highway on a dark night as a storm approaches, her daughter asleep in the backseat. He agrees to ride a young woman (Leah Lauren) he met in the bathroom at a gas station. They don’t get far until a creature jumps in front of the car and discover that the sleeping child has been replaced by a doll. As the women try to find out what’s behind the mysterious events, they discover that their encounter was not a coincidence.
This is repulsive and scary writer-director Eduardo Rodriguez’s thriller is more than a monster movie – it’s a poignant exploration of the limits of compassion and what it means to be a parent through trauma. For a low-budget movie that mostly takes place in a car at night, it also seems like a million bucks. Thanks to production designer Jason Fijal, who is a master at realistic leaks and splashes, and cinematographer John De Fazio, who skillfully makes almost every shot look sinister.
‘Autumn Road’
Struggling to become an actress, Laura (Director Richard Linklater’s daughter, Lorelei Linklater) returns to her small Texas hometown where her sister Winnie (Maddy-Lea Hendrix) disappeared on Halloween 10 years ago. There, she meets identical twin brothers, the sweet Charlie, who prefers cow sweaters, and the spooky Vincent in black. (Thanks to writer-director Riley Cusick for such a bizarre performance by the twins.)
Now making a living as the owners of a haunted attraction, the brothers know what happened to Winnie that night, but kept the tragic event to themselves. Until an angry Vincent, obsessed with the owl mask, decides the secret has been buried long enough.
what made me stick this strange movie They were shocking moments when death came quickly and unexpectedly, such as when a man was stabbed at a surprise birthday party. These and other unexpected moments are what give the movie the jolt of terror it needs to offset the sleepier scenes. Carson Bailie’s cinematography is an eerie companion to the weird.
‘2nd’
Have you ever woken up naked in bed with a stranger and asked, “Who are you?” Did you wonder? That’s what happens to David (Pablo Derqui) and Sara (Marina Gatell) in this spooky thriller from Spain, they don’t just wake up side by side – they wake up with their bellies sewn together. And they have no idea where they are or literally how they got together.
It’s a good thing this movie starts at 70 minutes, as this creepy, cute, sweet marriage of Brian De Palma pastiche and “The Human Centipede” can’t be understood as a one-trick pony. (It would be a great stage play.) But director Mar Targarona keeps the tension high and takes the time to work through the many screenings, making a dynamic and ultimately melodramatic, though intriguing exploration of a relationship. really Hurts.
Five Movies to Watch This Winter
Derqui and Gatell give an extremely intimate performance together, especially when their characters have to go to the bathroom. Talk about scary.
‘Return’
Jim (Gerald Chew) did something stupid at work and got fired from his engineering job in Singapore. He hides news from his wife and daughter for months and starts driving for a ridesharing company to earn money.
One night, it employs a young man who once told a story about a monster terrorizing a village. The timing of the story is odd, considering Jim has seen gruesome figures and heard demonic whispers since losing his job. As Jim’s chances of finding a job drop, he flashbacks to a playground incident with his sister that still torments him despite being 50 years old. Soon his personal demons become angry real demons.
It soapy horror-thriller writer-directors Goh Ming Siu and Scott C. Hillyard record the best horrors in the last 20 minutes, so be patient with a family man’s heavy “Death of a Salesman”-like message about his destruction. (The horror might have been better if it had been played by a more naturalistic actor than Jim Chew.) The final scene is an eerie silliness.
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