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In some ways, this year’s Gotham Awards It couldn’t have been more of the moment. Entry required vaccination cards and a recent negative Covid test. Acting categories have been cleared of gender binaries. Two sign language interpreters were deployed to enable deaf and hard of hearing participants to celebrate in real time.
But the real meat of the show—joking, stargazing, and measuring buzz—feels all business as usual. And this may be the biggest win of the night.
Gothams by Gotham Film and Media Institute, they have always prided themselves on being the first major awards show of the season: Most bands greet the winners before they even announce their nominations. Last year, that meant Gotham’s were the first to venture into a major awards ceremony via Zoom, and like the television broadcasts that followed, the ceremony was stuffy and full of baffling clues. Instead of giving cheerful acceptance speeches, most of the winners sat motionless in front of a webcam, wondering if it was their time to speak.
This year, Gotham’s Cipriani is back on Wall Street, and you hardly knew there was an outage: Last year’s event was virtual and troubled, while this year’s was in-person and boozy. Before the show, a few attendees noted how surreal the reunion felt, but when things got started, the only disruptors admitted from the scene were the usual coterie of producers, reps, and streaming services.
In 2019, at the last in-person Gothams, Netflix’s “Marriage Story” won so many awards that by the end of the night, director Noah Baumbach looked embarrassed; this year was the publisher’s motherhood melodrama”lost daughter” it won so much that one of its stars, Dakota Johnson, called for the award for best feature film and said, “I bet you guys are tired of us, huh?” said.
But “Missing Girl” triumphed in that category as well, in addition to winning screenplay and director awards for actress-turned-writer Maggie Gyllenhaal (based on a work by Elena Ferrante) and an award for her lead role for Olivia Colman. A tie with Frankie Faison”The Murder of Kenneth Chamberlain.”
Gotham’s has somewhat restrictive eligibility rules: Films made internationally or worth over $35 million cannot compete for grand prizes. But the ceremony regularly breaks these rules by paying special tributes to motion pictures or performances that would otherwise be left out of contention. That’s it “Power of the Dog“director Jane Campion and “Spencer” star Kristen Stewart they found themselves receiving honorary trophies at the ceremony.
This makes the show a formidable Oscar barometer, with five or six-person juries voting for each category. Chloé Zhao’s “Nomad Country” ran the table at both the Oscars and Gotham’s in last year’s smaller-scale season, but this year star-focused studio movies like “King Richard,” “Dune,” and “West Side Story” are in the mix. . ”, Gothams’ value as a pioneer can be harder to estimate.
Still, it’s never bad to be seen winning. Other notable Gotham winners include animated documentary “Flee” international movie winner “Drive my car,” and two major breakthrough TV dramas, Korean sensation”Squid Game” and the acclaimed FX series “Reservation Dogs.”
For “KODA,” A Sundance sensation that debuted on Apple TV+ over the course of the summer, Gothams provided a worthy renaissance: This drama about a deaf family earned a breakthrough artist award for co-star Emilia Jones and a supporting trophy for Troy Kotsur.
Was Kotsur speechless? Not really.
“I’m absolutely incompetent right now,” he signed off the stage.
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