In ‘Ted Lasso,’ Juno Temple Does Well

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When Juno Shrine When Jason first heard from Sudeikis, he thought he was texting the wrong player.

For ten and a half years, Temple played troubled and troubled young women in films such as “Atonement,” “Killer Joe,” and “Afteroon Delight.” He had almost never done comedy. So when Sudeikis tested him for a role “Ted Lasso” extremely beautiful, ultra Emmy nominated He suspected that the sitcom, which started its second season on Apple TV+ on Friday, had confused him with someone else.

“Oh my God, this is going to be weird,” I said, leaning against a feathered pillow during a recent video call on the porch of her Los Angeles home, 32-year-old Temple.

Sudeikis had made no mistake. “Ted Lasso” A sitcom about an American football coach sent to manage an English Premier League football club is a mostly male show. Brendan HuntThe creator of “Ted Lasso” called it “very, very dude-heavy.” But she has two great sides for women: Team owner Rebecca Walton and Keeley Jones, the lover of a star actress. The producers had a hard time casting Keeley.

Keeley is an attractive girl and an occasional topless model. “I’m famous because I’m almost famous,” he explains in an early episode. The actresses the producers auditioned up to that time had highlighted Keeley’s body-sparkling exterior, not the big brain and bigger heart underneath. The temple is a self-described “weird weird” It wasn’t a sensual, obvious fit.

Brett Goldstein, a “Ted Lasso” The actor and writer who portrayed Keeley’s season 2 romance remembered when Temple’s name was mentioned. “Wow, this is a left field pick, I thought. Because of all that darkness,” he said.

But Sudeikis had seen him work on it. “Vinyl,” Short-lived Martin Scorsese TV series starring Olivia Wilde. He sensed that he would play Keeley differently.

And it did. A high ponytail and higher heels help Temple stand – 5 feet-2, barely – as tall as Keeley. An architectural push-up bra and two sets of fakes provide this alluring model look. But Temple gives Keeley something completely her own, a generous spirit and an unending radiance that eye makeup alone cannot explain.

“HE [expletive] unbelievable,” said Goldstein, who has a penchant for colorful language on and off the screen. “HE [expletive] pure light.” She is also now an Emmy nominee and was named best supporting actress in a comedy for her role as Keeley. 20 nominations The show picked up for its first season.

For Temple, the daughter of experimental film director Julien Temple and producer Amanda Pirie, acting had always been inevitable. He vividly remembers contracting chickenpox when he was almost 4 years old and finding solace only in a laser disc copy of Jean Cocteau’s “Beauty and the Beast.”

“This is the first time I remember watching a movie and believing in magic,” he said. “I remember thinking I wanted to be a part of it.”

When she was 14, she told her parents that she wanted to become an actress. He told them, “I can learn about myself and learn about all the different areas of life, all the different perspectives, and all the different heartbreaks.” “They both said, ‘Really? Are you sure? Please no. Oh god no.'”

But her mother took her to an open call for the movie. “Notes on a Scandal.” Starred. part in the movie “Penance” soon followed. He won the BAFTA Rising Star award in 2013. Three years later, the Guardian called him “An English rose with raw rosy cheeks and sacks of sex waiting to come out.” (Bags?)

On screen, Temple has a sullen, boyish demeanor and a somewhat wild quality, like a girl raised by some emotionally available wolves. Its effect evokes the words of ancient times – scamp, scapegrace, minx. (Hunt described it as “a pip”) It also engages in a kind of self-parody. For the video call, she adorned herself with a giant black bow, overlapping gold rings, a gold chain and luxurious Chanel rings, femininity as a celebration and a joke. It’s mostly a joke he makes.

His characters are often prone to self-exploration, and Temple makes that exploration necessary and risky. “I’ve never been afraid to play something that goes through a transition or something complex and even I don’t know the answers to,” he said. Every lost girl teaches him a little bit more about himself, even as he tries to keep them a little distant.

People sometimes ask him if he’s a method actor. He says no to them. “I would have died 15 times by now,” he said. “But I definitely learned a lot from these extraordinary female characters.”

Stacie Passon, who runs Temple “Little birds,” The Starz adaptation of Anaïs Nin’s erotic short stories recognized her deep interest in human behavior and clear cinematic wit. He often told Temple that he would make a good director, but Temple was not interested.

“There’s so much more I want to tell a camera,” Passon said.

Temple gravitated towards sexualized roles from her early films. Or maybe these roles were directed towards him. In interviews, she sometimes embraced this personality, and her “sex bags” told the Guardian: “I finally reached puberty on camera. Wow!” he admitted to The Independent buys underwear for each character playing and launched a campaign in 2016 for luxury underwear brand Agent Provocateur. He had a bored tone while promoting “Little Birds” last year. another Guardian writer: “I’m not really nervous for a sex scene. I’ve done a lot of it now.”

Not every sex scene felt completely necessary, but he always saw sexuality as a core element of the character, never as an unnecessary add-on. “He wants to explore desire,” Passon said.

Kathryn Hahn co-starred with her 2013 movie “Afternoon Pleasure”. (Temple played McKenna, an exotic dancer, and Hahn played the not-so-exotic housewife who let him in.) Hahn realized how, as McKenna, Temple could show both a fully sexualized woman and a vulnerable girl underneath. . “He is an extraordinary hunter of truth,” Hahn wrote in an email.

Temple isn’t ashamed of any sex scenes in any of the movies she’s made. “This is a choice I won’t change,” he said. “I don’t regret it. Part of me as a character is less afraid of taking off my clothes and being caught in the movie that way than I am in real life.”

Unlike many of Temple’s previous characters, Keeley is already comfortable with her sexuality. (Underwear? A pink suit patterned with iridescent hearts.) Although she almost gained fame as a topless model, she now mostly wears tops. “Ted Lasso” instead makes Keeley believe he has value beyond his body, and then rewards that belief. Keeley is what the antonym of the word troubled is.

Since Temple rarely does comedy, she learned this on stage in “Ted Lasso”. The players were patient with him, he said. And “How is this funny?” willing to answer questions such as:

Thanks to her instincts and experience, Temple said she tends to “play as much real stuff as I can” rather than joking. Hunt said this approach worked well for Keeley and the show. In general.

“He plays the truth of what the character has been through, and it’s hilarious,” he said. “While there are times when we definitely have to be: ‘Okay, great, Juno. Try again now. without crying.”

It also showed an unexpected gift for physical comedy, like in a scene in Season 2 where she attacks a chocolate fountain. “It’s all there and alive,” Goldstein said. “When you play with it, it is truly magical.”

Temple has never played a character as gentle as Keeley, nor is she someone who enjoys the loving and uncomplicated female friendship the character develops with Rebecca (Hannah Waddingham, also Emmy-nominated). Keeley helped Temple recover from the pandemic lockdown.

“It was really good for my brain not to play a character who went through a lot of problematic transitions, was self-loathing, or had a bunch of other complex things that I was trying to project onto the screen.” said. “I should have been kinder to myself.”

This kindness has an addictive quality. Temple said she wanted to play more characters like Keeley, but not just characters like her. She said the goal is to make women feel less alone, one role at a time.

“This is something the movie does for me and I hope I can do it for other women too,” she said. “Because sometimes being a woman is the greatest, most beautiful and wonderful thing in the world. And sometimes it’s a tragedy.”



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