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In 2017, Nancy Spector, then-chief curator of the Guggenheim Museum, said that when Cattelan approached her about a possible aircraft sculpture embedded in a structure, she was “hesitant at best.”
“The timing (and perhaps location) was wrong,” Spector said. who has since left the museum, wrote in an upcoming article for the HangarBicocca catalogue. “After 9/11, nothing felt safe, especially for New Yorkers.”
Even four years later, Spector admitted in his article that “‘Blind’ will undoubtedly elicit strong emotional responses.” But he added: “The fact that this monolith sculpture will first be shown in the context of a museum in Milan – not in the middle of New York City – as part of the artist’s exhibition would allow the work to breathe. It would test itself publicly as an object of deep and complex meaning.”
Guggenheim declined to comment.
Roberta Tenconi, curator of HangarBicocca, and Vicente Todolí, artistic director, said in an email that they had “no doubt” about showing “Blind”.
“Art is an expression of freedom and we believe the role of a museum is a place to share different voices and generate thoughts and reflections about the world we live in,” they wrote in a joint email.
“”“Blind definitely reminds of a dark and tragic moment in history and is there to remember the fragility and vulnerability of all people,” they continued. “Exhibiting the work in New York is up to the cultural and artistic institutions there.”
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