New York Live Arts Announces Celebration Season

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Announced Thursday, New York Live Arts’ upcoming season will feature two major milestones: the 10th anniversary of the arts organization and the 40th anniversary of its resident community, the Bill T. Jones/Arnie Zane Company.

“I think Arnie would be pleased,” Bill T. Jones, artistic director of Live Arts, said in an interview. (The other founder of the company, Arnie Zane, He died in 1988 at the age of 39 from an AIDS-related illness.) “40. the anniversary says something to the culture about what a marginal couple like him and me can do in the long run; and that we can actually instill in other communities. ”

Jones added that the success and resilience of Live Arts is “even more important, in a way.” “Time is so compressed in the art world that the company’s 40 years and 10 years are somehow the same weight for me.”

The fall performance program will begin September 15 with “Light and Desire,” a Live Arts commission by choreographer, dancer, and educator Colleen Thomas, which, according to press materials, “explores how women hold, embody, and express power through their own radical power. expression in fascist times. ”

Later in the month, the focus shifted from the field to Jones’ Rev. Dr. It will be shifted to the Park Avenue Armory, which features “Deep Blue Sea,” a work based on Martin Luther King Jr.’s “I Have a Dream” speech. and “Moby Dick” will premiere. Tuned to music and sound by Nick Hallett, Hprizm aka High Priest, Rena Anakwe and Holland Andrews, the large-scale dance will begin with Jones’ solo solo, who hasn’t performed with the company in 15 years, and will grow until then. It features 100 artists from the Bill T. Jones/Arnie Zane Company and other New Yorkers.

After completing the run in the Armory, the group “Later” It’s a piece that Jones created in Massachusetts and Minnesota earlier in the pandemic.

Another Live Arts commission, Christopher Williams’ “Narcissus,” arrives at the end of October. The evening-length ballet reimagines Russian Ballet dance through a “contemporary queer lens,” looking at the Greek myth on which “Narcisse et Echo” is based. In December, a dance theater piece by Raja Feather Kelly about Liz Eden – the real-life figure loosely based on the character Leon from the movie “Dog Day Afternoon” – will make its fall season debuts.

Other offerings include an exhibition of paintings by Bjorn Amelan and Sasha Velor’s autobiographical drag show “Smoke & Mirrors.”

In addition to the performance roster, Live Arts announced the start of an initiative aimed at increasing artist fees. As part of the effort, called the Fund for Equity, members of the Bill T. Jones/Arnie Zane Company will now receive an annual salary that is not tied to the touring and rehearsal schedule.

Kim Cullen, executive director and CEO of the organization, said in a statement: “to do.”

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