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“Hi. I’m Cary Fukunaga and the director of No Time to Die. This scene features Daniel Craig playing James Bond, who narrowly escaped the Specter’s deadly attack at Vesper Lynd’s Grave. This is one of the interesting situations where the locations are the inspiration for the story. So I went on an expedition with our production designer Mark Tildesley and cinematographer Linus Sandgren. And I really liked this bridge in Gravina. It looked like the perfect place to do stunts. We had a drone and we were flying around the bridge to see it. , what can we do with it? Can it potentially jump? It could be an ambush site. So we literally designed the action sequence based on the locations we found. This sequence was shot in IMAX, this is also where the movement of the cameras, so we can easily cover multiple angles, is actually the camera we have IMAX cameras are huge. So when you get them in your hands, these types of cameras are si It makes you want to curse. But sometimes we had to do the stunt over and over and move the camera because you only had two, maybe three IMAX cameras running at the time. Normally when you’re doing a big stunt this isn’t too much. Normally, you would have five cameras placed everywhere. So, I would say, we had to be very careful about how the camera was moving, how many shots we could take before we ran out of time. We see him cleverly attempting to outwit them and escape from them, but they get an idea of where he’s going. We’re making a Texas switch. And basically, you see Bond on camera. And while we’re hovering over it, it’s actually a stunt stunt run, not Bond, to tackle Primo on the motorcycle. And then, when we cut closer, we do it all at once. So all the punches have to come down perfectly so that in reality, each one really seems to connect together while there is safety and space between them.” “Blofeld sends his regards.”
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