Prom Dresses Plenty! And Other Cannes Film Festival Fashion Statements


Cannes Film Festival The film that just ended was notable for a few things (besides not just being the first Cannes Film Festival since 2019): the first time a female director has won the Palme d’Or since 1993; Jodie Foster’s special award; Adam Driver sings in “Annette.” And if anyone had any doubts, the proof was positive that the year of no-travel sweatpants was well and truly over.

For example, put a stiletto on this one and stick it on the wall of history.

If the Oscars started Return of the Red CarpetCannes has taken this to another level. For 10 days the feathers were gone: tulle and tuxedos, glitz and glamour, as if to make up for the dressing of the last, lost year. Of all the film festivals, this one has become the biggest real-life—or real-life-like podium—of the year outside of the Met Gala. Perhaps even more so than the Met Gala, which can sometimes be blocked by a silly theme.

And that means all the experts who predicted the party of the century as we begin to emerge from the pandemic may be right. Because when the last lights go out and the final reviews come in and celebrities scatter, those are the trends and images that are left.

Despite widespread speculation that the past 16 months of isolation has forever changed our understanding of what we are willing to sacrifice for victory, it seems that all thought of casual wear goes out the window when it comes to making an entry.

Instead, in the city next to the Croisette, skirts were big (usually the bigger the better), corseted waists, and very, very high heels. Dior’s goddess dresses were so common they almost looked like a uniform, Sharon Stone looked like she had planted a small garden in a huge Dolce & Gabbana tulle number, and Jodie Turner-Smith’s Gucci train looked like it was stuck in a bubbling balloon at the hem. the bathroom that was then dragged behind it.

Even a casual look — Marion Cotillard in a Chanel jumpsuit; Maria Bakalova in a Vuitton tunic and shorts – a few months ago it could practically qualify as cocktail wear.

Being president of the Cannes grand jury means being present at almost every premiere and awards ceremony, which means being ubiquitous at just about every fancy photo shoot – which means wearing a lot of clothes.

Could be Spike Lee confused the announcement He’s a Palme d’Or winner (oops), but when it comes to his wardrobe choices, he won almost every day. It was hard to imagine for a while that she could wear it over the purple suits she wore at the 2019 and 2020 Oscars in honor of Prince and Kobe Bryant respectively, but the hot pink Louis Vuitton look she chose for the opening day and coordinating matching sunglasses and Air Jordans – came pretty close.

Especially since he was followed by a black suit with bright red buttons, black shoes with red laces and a green, red and black beret; a “houndstooth” outfit that actually has a pattern made of little basketball players; and a suit for the final ceremony, one side of which appears to be silk-printed against the sky at sunset.

The days of the penguin suit (after all, it’s a type of casual wear in itself because it’s the safest option possible) can be numbered.

When the team behind “The French Dispatch” – stars Tilda Swinton, Bill Murray and Timothée Chalamet and director Wes Anderson – showed up for an afternoon photo interview, the extreme variety of outfit choices became a sort of Rorschach test for just about everything. personality type.

Miss Swinton, for example, looked dangerously cool in a bright blue office dominatrix Haider Ackermann pantsuit and pumps; Mr. Murray in a ragged tourist shirt, shorts and straw hat; Mr. Anderson, our Havana Man in ice cream tones, in a suit and white loafers; and Mr. Chalamet in black pants, boots and a pale pink T-shirt.

A meme craze arose, comparing them to everything. Beatles’ albums for journalism and even vaccination status. This is all the proof anyone should need that what you’re wearing can definitely write you off.

Schiaparelli, the brand built by Surrealism, has been calling itself the dark horse of expression wear since the beginning of the year when Lady Gaga wore a Schiap number for her performance in Biden. presidential inauguration. And Bella Hadid’s appearance in a trendy presentation look straight at Cannes was just another notch in the home’s belt. Effectively catmint for the paparazzi, the simple long black dress featured a neckline that went down to the upper rib cage, revealing a golden “necklace” of branching alveoli dense enough to cover the lungs.

Now that the fashion-Hollywood industrial complex is back in full swing (scanning the brands behind the looks, walking past the shops on Avenue Montaigne), it seems pretty clear that Schiap has become a serious competitor. Anyway, that left them all a little breathless.

Forget about bags; The hottest accessory on the croisette was a close family member.

Sean Penn was there with his daughter Dylan Penn and son Hopper Penn; Danny Moder (Julia Roberts’ husband) with their daughter Hazel Moder; and Tilda Swinton with her daughter Honor Swinton Byrne.

Although a perfect match might be Jane Birkin and Charlotte Gainsbourg, who appear in pairing well-worn jeans, aka, Canadian tuxedos, for day and night real tuxedos (by Celine and Saint Laurent, respectively).

It looks like the family filming together is dressing together. Taste connects us in every way.


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