Radio Drama for the Podcast Age: How Amazon’s Audible Moved to the Theater


Another plus: Artists are paid more for recorded performances as well as personally staged ones.

“The pay is great and the reach is great,” said Robert O’Hara, who planned the Williamstown production.A tram named Desire” was made to be voiced by Audible and went on to direct “Long Day’s Journey” on Minetta Lane and voice.

O’Hara, like other artists interviewed for this story, said Audible was an admirable app. “I don’t get dramaturgical notes from Audible,” he said. “They have no idea about ‘Long Day’s Journey’. They allow artists to be artists.”

Despite being sponsored by a sound company, the staging of “Long Day’s Journey” had a number of striking visual moments, from its silent opening to the projections used on stage. “Sound was not the end goal for me,” he said. “The sound was the sauce on top. I was doing stage production.”

Comparing Audible to the Medicis, the historic Italian banking family associated with the arts patronage, Marvel said the shorter duration of Audible production was a plus for him: “It’s a great time model where you don’t give it four to six months. A reasonable amount of time to give, which is realistic and useful as an actor who is a Parent to a game of your life and needs to generate income in other ways.”

There were other pluses as well. Marvel says it wants to be a part of trying new forms for theatrical storytelling. “We must all look forward and continue to open the iris for new ideas, new ways of working, and new ways for people to access work,” he said.

Marvel and O’Hara also said they were unsure whether other producers, commercial or nonprofit, would take the risk of a shortened, contemporary version of “Long Day’s Journey,” which Marvel has long wanted to do. “I don’t think there’s anywhere else I can go,” O’Hara said. “No one in their right mind would let me hack and modernize this game.”



Source link

Leave a Reply

Your email address will not be published. Required fields are marked *