‘Rose Maker’ Review: Stolen Flowers for a Blue Lady


The first flowers to grace the opening credits of this gentle French comedy are the white roses in full bloom. Its leaves are flawless and milky tones appear bright, a reminder that what appears to be white is a reflection of all colours. Gardeners know that growing a perfect rose is not easy, and this principle will be the cornerstone of the plot in “The Rose Maker.” The film demonstrates its cinematic commitment to the perfection of these early roses – their almost shocking vibrancy, complemented by a cheery Dean Martin melody. It’s easy for the characters to say they’ve grown such a flower, and it’s another feat entirely for the filmmakers to find a flower to show on screen.

Narratively, these unique flowers belong to Eve (Catherine Frot), a rose breeder who inherited her family’s prestigious farm. But despite Eve’s boutique care, Eve struggles to keep her small business afloat as industrial farms sell more roses and win more awards. Eve is prone to pessimism, but her devoted secretary, Véra (Olivia Côte), enlists three pairs of helping hands to revive the farm. Eve objects at first, but soon bonds with her amateur, even malicious, employees and involves them first in a heist to capture a rare rose, and then in delicate efforts to cultivate fields derived from this stolen flower.

Director Pierre Pinaud doesn’t force loud jokes for laughs and tears when it comes to forging class bonds between his characters. It’s a comfortable film that makes the audience not sit back and smell the roses, but at least appreciate them. Just like for Eve, flowers are what this movie is for – a reminder that looking at beauty for a moment is reason enough.

Rose Maker
Not rated. French, with subtitles. Working time: 1 hour 35 minutes. In movie theaters.



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