Russia’s Story Ballet Among the Lost in the War

Mr Hallberg said Ms. Smirnova was “very brave” to leave the Bolshoi because she was leaving not just a company but an institution “which is in her DNA”.

Miss Smirnova isn’t the only high-profile artist to leave Russia. On the day the war began, Alexei Ratmansky, the ballet’s leading choreographer and former Bolshoi artistic director, was in Moscow to rehearse a new work. HE IS there is a flight soon He has returned to New York as a resident artist at the American Ballet Theatre, and said he is unlikely to return to Russia “if Putin is still president”.

Laurent Hilaire, French director of the Stanislavsky and Nemirovich-Danchenko Ballet in Moscow, resigned days after the war began. And a number of dancers, mostly foreigners, also left. Xander Parishwho is British; jacopo tissi, who is Italian; and Brazilian David Motta Soares and Victor Caixeta. An emerging soloist, Mr. Caixeta is now partnered with Ms. Smirnova in Amsterdam. couple They are scheduled to appear on stage for the first time. On Saturday at the Russian ballet classic “Raymonda”.

Since the invasion of Russia began, many European governments have ordered their cultural institutions, including dance troupes, not to work with Russian state institutions such as the Mariinsky or Bolshoi. Dutch National Ballet cancels Mariinsky’s visit, St. She withdrew from a ballet festival in St. Petersburg and stopped collaborating with him. Moscow International Ballet CompetitionIt is scheduled to take place at the Bolshoi in June.

The works of some prominent Western choreographers may disappear from the Russian stage, as those controlling the ballet rights suspended cooperation with Russian companies. Nicole Cornell, director of the George Balanchine Trust, which holds the rights to the choreographer’s work, said in an email that it is “pausing all future licensing talks” with Russian companies. And the French choreographer and director of Les Ballets de Monte Carlo, Jean-Christophe Maillot, had asked the Bolshoi to stop performances of “The Taming of the Shrew” in an email, but its general director, Vladimir Urin, refused. “These circumstances clearly make it difficult to continue cooperation with the Bolshoi,” Maillot said.

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