Sheryl Crow’s Documentary Reveals the Artist You Never Knew


NASHVILLE – Sheryl Crow will not read this story.

He confirmed this with a smiling face, but it wasn’t a surprise (or bluff). Crow’s career began in the 1990s, when success was tied to giants like big corporations and radio, and the most direct line to fans came through MTV and the often sexist press. Although she has done hundreds of interviews and been the subject of many other news stories, she stopped looking at most of them around 1996, when she released her second album.

She was a temptress on an airplane once. There was a Rolling Stone magazine on the sofa next to him and he discovered an “ugly” article about himself. “He killed me,” he said, his voice rising an octave. “I felt like I was sinking. And after that, I said, you know what, nothing’s worth it. I’ve already broken the record. And I am what I am.”

And so Crow, who has spent thirty years telling his story to others, can never be sure how it is told. It will change on May 6 “Sherry” A documentary directed by Amy Scott is coming to Showtime. The last of the musical films – some made by artists; others, by more objective outsiders—serving as correctives, exposing the chauvinism and other challenges that plagued musicians at times when women couldn’t talk openly about harassment and mental health. Although his manager was one of the project’s producers, Crow had no creative control over the project and took the opportunity to force his long-challenged questions about authorship and ambition, revealing how hard he had struggled at the opportunity. a music industry that doesn’t fit in a neat box.

One dreary April afternoon, the singer-songwriter greeted another interlocutor in his recording studio, which he set up here on a horse barn, with a bronze-to-brown palette and vintage signs advertising gasoline and perfume on wood and leather. Dressed in medium-wash jeans with blue plaid buttons, she was dangling one of her Timberland-covered feet as she perched in front of a newly added product to her studio lounge: a weathered magazine rack salvaged from a childhood haunt at Kennett’s Crow, Mo. and it’s full of old issues of Rolling Stone and Creem. In a warm and friendly way, she immediately opened up her world by joking about her recent real estate sale. “scary babies”) and using Siri to FaceTime with her older son who came home from school sick.



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