‘Spencer’ | Anatomy of a Scene


“Hi, my name is Pablo Larraín and I’m the director of Spencer. This scene is very important in the movie and it’s in the first third of the movie. And we see Diana entering a dinner with the whole royal family there. Diana is of course played by Kristen Stewart. And that’s what she saw. it’s the first scene where we start seeing and feeling what it’s feeling. And how do we do that? That was the question. How do we invite the audience to view the situation? And some things don’t really happen and just happen in his imagination, in his perception, in his fantasy of reality. And that reality, somehow, already with his family. He’s interfering with a conflict that’s happening to him. So we’re really seeing the consequences of that conflict. The main outcome is his mental distress and how he might eventually start to see things that aren’t really there. We took a lot of shots. It’s one of the more inclusive scenes of this movie, it’s like almost everyone there is just one shot. we have a shot and then we cover it from different angles.In the editing room we need this material later I thought we could find the right rhythm to cut properly, as I thought we had the need. So this is a scene that really has a very definite ascent, where we start with a slow kind of minimalist rhythm. And then as it goes on, it creates more and more intensity until it gets to the point where it’s almost unbearable. So I wanted to reach that limit, I wanted to go as far as we could go in terms of density and volume. And frankly, Jonny Greenwood’s music has a lot to do with the way the scene works. I also felt it was important for Kristen to feel the pressure of the family. What I did was I asked Kristen to stay away from the setup until everything was very ready and she never went in and never saw them until we filmed that arrival. And Charles has a necklace that we know gave this necklace to Camilla Parker Bowles. The audience also knows that that necklace is not just a necklace, it is a representation of a broken marriage, a very painful gift. We discussed this with our composer Jonny Greenwood about how it should be played. And I remember asking him to create something that could progress from music that could be played in that context. and it’s very intense and it helps you describe what he’s going through.” [CLATTERING] “So this is a very beautiful and strange piece of work, because the composition turns into a state of panic. This was very important to the production process of the scene and the outcome of the scene.” [MUSIC INTENSIFIES] “And we feel for him, we feel with him, and I think Kristen does an incredible job of handling physicality, emotion. It’s a scene without dialogue, just music and a kind of cinematic progression and dramatic progression and the interaction between herself, the Queen, Anne Boleyn, and of course Charles. ”



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