T-List: Six Things We Recommend This Week


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Located in the heart of the city, the new Cheval Blanc Paris has 72 rooms with balconies or conservatories overlooking the Pont Neuf or District 1 and beyond. Housed in a 1928 Art Deco building designed by Henri Sauvage and redesigned by architect and interior designer Peter Marino, it feels like a grand yet familiar home, with sculptural chandeliers by Philippe Anthonioz, carved metallic tables and wooden sideboards by André Dubreuil. Charlotte Perriand. Guests are surrounded by works of art, including works by Claude Lalanne and Vik Muniz, and the resort has at least four restaurants: the Limbar, a café and bar serving light pastries by Maxime Frédéric and a cocktail program by Florian Thireau; Le Tout-Paris, a not-so-classic pub; The more formal Plénitude with Michelin-starred chef Arnaud Donckele at the helm; the fourth will be the seafood restaurant Langosteria’s first outpost outside of Italy. Between meals, guests can sit in the terrace garden or swim in the 30-metre-long indoor pool, the largest in the city, with an aqua-colored mosaic by Munich artist Franz Mayer. chevalblanc.com.

For this month’s episode of T List’s beauty column detailing the products and treatments creative people trust, Jessica Richards He talks about his daily routine.

I use Necessaire’s for my morning shower Body Exfoliator with Supracor Stimulating Bath Glove — loofah and dry brush in one — Christophe Robin’s Illuminating + Purifying Shampoo (which they drop, so I’m not sure what to do!) and Virtue’s Rescue Conditioner. I have incredibly dry skin, so when I dry, I leave it slightly moist and rub it with some Olverum’s. Body fat and then Augustine Bader body cream. I brush my hair with a Manta hair brush — My beauty shop Shen recently launched; the best thing on the planet: the more you use it, the less your hair falls out and the less you comb a small piece of virtue Non-Rising Cream before putting it in a bun. I don’t wash my face in the morning, I just rinse with water. Then I apply Irene Forte Helichrysum Hyaluronic Toner and Skin Memory Serum from Ideo we just launched. I’ll start using Bynacht as we head into the fall. Nocturnal Signature Anti-Aging Cream (yes, even during the day). I use it for makeup Eye I Love You Mascara A lipstick from Westman Atelier and Maarks Lip blusher If I don’t wear a mask, I will Cherry. I always come back to Bobbi Brown. Long Lasting Gel Eyeliner in black; It is easily applied and does not smudge. I like to apply eyeliner under my lashes to add some definition. We have a shuttle in Shen. multi-eyed: tattoo under your lash line, brow wax, tint and a few microblades. I do it every nine months. I’m obsessed with fragrance dirty grass from Heretic and witch Woo From Yasmine Sewell’s new brand Vyrao, which will go on sale in Shen this month. At night, my number one priority is to remove all grime and grime with a foaming cleanser like Youth to the People’s. Superfood Cleaner or Reflekt’s Daily Exfoliating Face Washand then I apply an oil or balm cleanser. of Irene Forte Almond Cleansing Milk super calming, but also Joaquina Botanica’s Moisturizing Essence. I go super heavy for serums. I also use Ideo at night – you’ll really see results if you use it twice a day. After that, I layer on something like Supernal. Cosmic Glow Oil or Pai Carbon Star If I feel a little disconnected. Dr. I love Barbara Sturm’s eye cream — I have very sensitive eyes and no added fragrance. Finally, I use MBRs Cream Extraordinary; I need as much moisture as I can get. I dress like a glazed muffin, cover myself, and go to bed.

This interview has been edited and shortened.

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When Domenico Dolce and Stefano Gabbana began isolating themselves in Milan at the start of the Covid-19 pandemic last spring, fashion designer they found themselves turning their attention to their immediate surroundings. “We kept coming back to the idea that the home is the most important space,” says the couple, who spent the time dreaming up the brand’s first decor line, Dolce & Gabbana Casa. Inspired in part by the work of their favorite talents, including Paul Evans and Gio Ponti (“I collect furniture I love; that is my only flaw,” says Dolce). The final result, announced last weekend before the brand’s Alta Fashion show in Venice, is entirely theirs and is deeply rooted in Italian craftsmanship. Four of the brand’s iconic motifs are featured in the series, such as a leopard-print armchair and matching side table, a comfortable-looking sofa reminiscent of a blue-and-white Maiolica, and various table accessories with a print depicting a traditional Sicilian horse. drawn car. dolcegabbana.com.

About two years ago, 39-year-old designers and architects Eleni Petaloti and Leonidas Trampoukis from cerebral design studio Objects of Common Interest Learning about 20th-century Japanese-American artist Isamu Noguchi’s connection to their homeland of Greece – he once described it as his “home of intellectuals” – they were immediately inspired. Splitting their time between New York City and Athens, the couple began researching the digital archives of the Noguchi Museum in Long Island City, Queens. an online feature and an upcoming series of books on Noguchi’s Greek influences. Now that aesthetic fascination has been brought to life with his new exhibition “Hard, Soft and All Lit Up With Nowhere Go” organized by the Noguchi Museum’s senior curator Dakin Hart and opened on September 15. By blending OoCI’s playful objects (tubular lights) and Noguchi’s own pieces (chairs, curved cobalt formations, huge transparent inflatable sculptures swaying in the wind) the exhibition creates deep connections between epochs, places and creators; among the increasingly blurred fields of art, design and architecture, which, above all, constantly speaks of the power of cultural exchange. “Between Noguchi and me, we’re both exploring concepts like light, weight, and volume,” Petaloti says, “but we respond in different ways.” noguchi.org.

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27-year-old architect Julien Sebban, founder of the French design collective Ukrainehad a post-apocalyptic vision a few years ago when he visited the site of Forest, the future restaurant of the Paris Museum of Modern Art. A remnant of the 1937 Universal Exposition, the high-ceilinged concrete space looked to him like an underground Brutalist bunker. Sebban and his team decided to embrace the atmosphere and created a bunker-like agora with polished concrete surfaces that get rougher as you step inside. However, the overall effect is one of warmth and coziness, with walls covered with vines and mossy branches and the soft glow of moon-like volcanic stone sconces. Sebban says that although Forest may seem like the end of the world, it’s actually “a really nice place to be.” forest-paris.com.

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The inspiration behind Luca Nichetto’s designs for Ginori 1735’s first home perfume collection, La Compagnia di Caterina, is as multi-layered as scents. While the theme is the court of the notorious queen Catherine de’ Medici, who is credited with introducing perfume to the French when she brought her perfumer to Paris from Florence, Nichetto was also influenced by lucha libre masks, Baz Luhrmann’s “Romeo + Juliet.” and Jean-Paul Goude’s portraits of Grace Jones. “Many of my loves are in this project,” he says. The result is a boldly designed collection of scented candles, incense burners and perfumed room diffusers. Jean NielThe oldest perfume house in France. Each item is cast in the shape of one of eight archetypal courtiers, including Lover and Scholar, and nearly all can be filled with the same or different scent, creating what the company calls an “afterlife.” from $90, ginori1735.com.

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