Jonathan Franzen’s ‘Crossroads’, Mellow, ’70s-Era Heartbreaker That
At times, like Franzen himself, in public, though not on the page, Russ is so irresistible and so cold-blooded that he is such a clumsy image from an earlier era that you feel him on the brink of salvation, coming out from the other side. Franzen’s cultural situation over the past two decades sometimes reminds …
Continue reading “Jonathan Franzen’s ‘Crossroads’, Mellow, ’70s-Era Heartbreaker That”