Review: In ‘Anna’, The End of Adults But Not The World

Working with cinematographer Gogò Bianchi and production designer Mauro Vanzati, Ammaniti transforms Sicily from a child’s point of view into an abandoned wonderland: a mixture of carnival, fantasy, and endless garbage. “Anna” evokes a fantastic tradition from Fellini to Italian cinema. Paolo Sorrentino, while sticking to its realistic and sometimes sad and rather violent action. …