Review: Met Opera’s ‘Eurydice’ Attempts to Raise the Dead
How does it sound when you die? A character in Sarah Ruhl’s play “Eurydice” writes to her daughter, who is still in the land of the living, that “there are strange high-pitched noises,” “like a kettle constantly boiling.” The slick, curly hues, as if you can hear sour milk pouring, marked our first visit to …
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