TEFAF New York Returns to Armory


After two years of cutbacks that led to virtual versions of its events, the European Fine Arts Fair, known as the European Fine Arts Fair, TEFAFIt will make a comeback with the New York fair to be held on May 6-10. Park Avenue Armory.

It will be the first personal TEFAF exhibition since early March 2020, held just before the start of the pandemic lockdowns in Maastricht, the Netherlands, the main base of the show.

The last one in New York took place in the fall of 2019. When the New York fair was established in 2016, it had both spring and fall editions, but has since been merged.

“We’ve had a lot of delays, we’re very excited to be able to make it happen,” said Hidde van Seggelen, president of the fair and a contemporary art dealer based in Hamburg, Germany.

He said he believes the enthusiasm will be shared by collectors: “After two years of Covid, people are yearning for it.”

TEFAF New York, which will feature more than 90 dealers, is the first in a quick succession of art fairs scheduled for May and June, with many of the highest-profile entries following each other.

The list includes: Independent New YorkTo coincide with TEFAF New York next week, which will take place at Spring Studios in TriBeCa; Frieze New York; two editions art Basel, one in Hong Kong and one in Basel, Switzerland; TEFAF Maastricht; and masterpiece london.

“It’s going to be a very busy few months,” said Mr van Seggelen, and given the timing challenges for dealers and collectors, “This is not an ideal world.”

With so many options for collectors, organizers are more conscious than ever before about delivering a valuable experience.

TEFAF, which will celebrate its 35th Maastricht edition this year, is best known for its strength in antiquities – from antiquities to old masters – but the New York event strives to include more recent objects that reflect the contemporary capital’s local flair. art market.

“We have the DNA of TEFAF and also the best of modern and contemporary,” said Mr van Seggelen. “I am very proud of my mix.”

Concurrent with the live show, there will be an online version of TEFAF New York, where the same galleries each showcase three pieces from their Armory selection.

Interspersed with the Armory’s historic rooms will be six works that are part of TEFAF’s Creative Spaces programme. Includes works by Anselm Kiefer, Duane Hanson, and Carmen Herrera. Miss Herrera, who died in February In 106, it is represented by “Kyoto (Green)” (1966/2016).

One of the Creative Spaces works on display will soon benefit from the TEFAF Museum Restoration Fund, which is in its 10th year. This Museum of Fine Arts, Houstonwill use the funds to protect Montefiore Mainz Mahzor (c. 1310-20), a rare Hebrew holiday prayer book.

Among the gallery offerings, the diversity of sculpture stands out. of New York Galerie Lefebvre Two animal heads in stone will show the “Gorilles de Pierre” (circa 1983) by François-Xavier Lalanne. Sean Kelly Gallery Kehinde Wiley’s bronze bust of “Barthélémy Senghor” (2021) will be exhibited in New York.

Galerie Bernard Dulon of Paris features a 19th-century royal mask from the kingdom of Bekom, also known as Kom, now Cameroon, made of wood, copper, and clay. It represents TEFAF NY’s first foray into classical African art.

W & K – Wienerroither & KohlbacherIn Vienna and New York (where it operates with a local partner, Shepherd Galleries), it will exhibit approximately 30 works, mostly drawings, reflecting its expertise in expressionism and modernism from Austria and Germany.

Two of the works are Ernst Ludwig Kirchner’s in crayon dated 1912 “The Two Bathed Fehmarn” and Egon Schiele’s “Sitting Woman” in pencil in 1916. Other artists represented include Gustav Klimt and Lyonel Feininger.

“The people of New York attending the fair are really very knowledgeable,” said Lui Wienerroither of the gallery, referring to Austrian and German modernism. “They know a lot about our art, partly Neue GalerieThe Upper East Side museum specializes in this type of work.

Mr Wienerroither said the gallery’s focus on works on paper is in line with the current art market. “There is a lot of demand for drawings,” he said. “It’s the primary way of producing art, and it feels very direct.”

But the pandemic has created difficulties for the gallery when it comes to selling virtually.

“Online trade shows didn’t really work for us,” said Mr Wienerroither. “Personally the best for us.”

Thirteen of the galleries on display at Armory are new to TEFAF New York. Blum and Poe Los Angeles, New York and Tokyo.

Blum & Poe’s solo booth Thornton Dial (1928-2016), a self-taught artist for assemblages of found and discarded material that rose to prominence in the 1980s.

“We signed the site and wanted to make it known,” Gallery co-founder Tim Blum said in an interview, referring to the new agency.

The booth will feature about eight works, including “The Blank Party” (2012).

“We want to introduce or reintroduce the work to people, especially the next tracks,” said Mr. Blum.

TEFAF added that New York was the right place to highlight Mr. Dial’s success.

“I’m not a big fan of New York fairs,” said Mr. Blum of the various events held throughout the year. “Often you get lost in the confusion. But for that, I can’t think of a better situation for a focused project distilled to own with a select group of dealers in the beautiful space of Armory. ”

Dealer David Tunick, who has a gallery specializing in paperwork on the Upper East Side, has been appearing at both TEFAF fairs for years. Its booth will display approximately 15 works, including gouaches and a painting by Amedeo Modigliani and Fernand Léger. By Helen Frankenthaler.

The marquee on its stand is Marc Chagall’s “Self-Portrait with Tracks” (1917).

“I can count with two hands the number of true masterpieces I’ve dealt with in my career, and it easily ranks with them,” said Mr. Tunick.

Known for works such as 1915’s “Birthday” in the Museum of Modern Art collection, the Franco-Russian painter Chagall was long-lived (1887-1985) and prolific.

“He did watercolors, prints, and drawings, along with more than 1,000 paintings,” Tunick said. “But he only has eight or nine self-portraits.” The painting shows the painter looking at his hometown of Vitebsk, Russia, and there are large areas of white, red, and pink in the work.

“It was made in 1917, the year of the Russian Revolution, which makes it even more important,” said Mr. Tunick. “The colors can refer to it.”

first job seen After being in Chagall’s sister’s apartment for decades, it was released at Sotheby’s in 1995.

“There is a small depiction of a floating goat that has become synonymous with Chagall’s work,” said Mr Tunick. “This may be the first.”

The painter’s work also has personal significance for Mr. Tunick.

“The first original piece of art I bought after college was a Chagall print,” he said. “A group of friends pooled our money and we gave it as a wedding present.”

He added that Chagall’s work could have a healing effect in the midst of a pandemic.

“He’s a happy, optimistic artist who paints poetic, lyrical, mystical, and dreamy,” said Tunick.

“Our time tastes not so good. It seems like we want a lot of anxiety these days. ”



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