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The pandemic has made this comeback theatrical season unusually challenging. After a long, painful closing and a joyful reopening, Omicron surge It has led to loads of holiday closures, and another spike in positive cases this spring has led to a steady wave of artist absences and occasional show cancellations.
This outage has been upsetting for artists and fans, and devastating for producers and investors.
It also created an unprecedented complication for Tony nominees, who not only had to see every eligible production, but also the performances of all Tony-worthy actors.
This is always difficult – many of the nominees have day jobs and some live outside of New York, and many shows have limited runs. This season, however, two factors have made the job harder: More than usual shows opened in April, just before the deadline to qualify for Tony, and a surge in spring lawsuits meant key actors often missed performances. (Possible candidates to test positive for coronavirus towards the end of the season include: Daniel Craig, Sarah Jessica Parker, Matthew Broderick, Laurence Fishburne, and Ramin Karimloo. Plus: Billy Crystal canceled two performances of “Mr. Saturday Night” citing the flu.)
For the nominees, it made the usual complexity of end-of-season planning much more difficult – so difficult in fact, that Tony executives were injured. delay the nominations six days to give candidates more time to see the shows.
Despite this, few candidates have managed to reach the finish line. There are usually around 50 candidates per season, some of whom withdraw when a conflict of interest arises; Only 29 people were able to vote this season.
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