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For action fans looking for new movies to stream, there are plenty of car chases, blasts, and fist fights to review. We help by providing some streaming events.
‘Shake’
Lindy Lewis (Kate Beckinsale) has spent her life fighting against the current. Diagnosed as a child with “intermittent burst disorder,” high cortisol levels run through his body, leading to enhanced strength, endurance, speed, and anger. Minor annoyances and major grievances trigger his anger for violent outbursts. And New York, where he lives, has many triggers. Fortunately, Dr. A therapist named Ivan Munchin (Stanley Tucci) has developed a vest and pulse trigger that allows it to send electric shocks through his body.
The system keeps it under control. She even meets a nice guy (Jai Courtney) who accepts her situation. But when she’s suddenly killed by underground vagrants, Lindy decides to take revenge. He competes against two incompetent detectives. He kicks the men from head to toe and swings his fists wildly. And he does it with a confident, sarcastic wit. Tanya Wexler’s “Jolt” is a cunning, crazy B-movie full of big stars, elaborate fights, and bullshit.
‘Missing Bullet’
Writer-director Guillaume Pierret’s stark, high-octane thriller is a sort of French “Fast and the Furious.” Lino (Alban Lenoir) puts the blame on his younger brother Quentin (Rod Paradot) after a jewel heist goes awry. An expert behind the wheel, Lino drives fast cars with ballistic precision. His unique skills draw him to the attention of Detective Charas (Ramzy Bedia), who leads a roadster police unit working to stop drug traffickers across the country.
“Lost Bullet” does not focus itself around cartoonish driving stunts. Instead, it relies on grounded speed and the more resourceful thrills that cars naturally offer. By working as a team in their vehicle, Charas’ team succeeds: they outrun the bad guys at great speed, bend over and flee.
But Lino’s offer of redemption is turned upside down when corrupt members of his team assassinate Charas, the only man who believes in him, and pin the murder on Lino. The only way he can clear his name is to find a bullet lodged in a lost car and take an intensely enjoyable movie ride.
‘Take it back’
I can’t give up on a movie with a Mickey Rourke movie, even at an advanced age. He’s one of those actors who can leverage his publicly documented mayhem to inform his on-screen presence and add an extra layer of real emotion to their performances. This ingrained poignancy often makes his bad turns even more contradictory. In director Christian Sesma’s “Take Back,” Rourke plays Jack, the psychologically injured head of a human trafficking ring, still searching for the escapee.
This is Zara (Gillian White). A sharp lawyer who defends farmers against big corporations. With a supportive husband (Michael Jai White) and a determined step-daughter (Priscilla Walker), Zara is a die-hard kickboxer. He uses these skills to defend a woman at a convenience store, making her an overnight sensation and drawing her to Jack’s renewed attention.
Sesma fashions “Undo” in the mold of “The Long Kiss Goodnight,” in which Zara’s ideal suburban existence is shattered, forcing her to confront her past. It’s a thrilling movie full of big karate kicks and quick kicks, and an uplifting performance that recalls Rourke’s still-present talent for playing in the heels.
‘Hunting Time’
Jun-seok (Lee Je-hoon) has a dream: he wants to retire to the tranquil beaches of Kenting, Taiwan, away from the dystopian streets of South Korea. When he was imprisoned for a robbery, he broke in with the assurance of a golden parachute. Now he’s out of jail, the money he stole three years ago has no value. Rising inflation has plunged the country into crime, high poverty and widespread gambling. Jun-seok decides to get his team of old childhood friends together for one last job: robbing their local casino.
But Jun-seok’s team gets more than they expected when a ruthless bounty hunter (Park Hae-soo) comes to kill them. Rapid gunfights ensue. Cars are speeding through the rust-colored fog of the city. Horrible deaths occur, such as the bloody execution of a hostage.
But South Korean writer-director Yoon Sung-hyun’s “Time to Hunt” isn’t just a meticulous heist movie. It is about income inequality and is the story of the poor fighting for their values. The film perfectly balances suspenseful action with socially conscious themes for a sensational motion picture.
I don’t often recommend double films: But the aforementioned “Time to Hunt” and director Adrian Teh’s Malaysian fight movie “Wira” would make a great pairing. Both equally blend brutal action with brutal social commentary.
Written by Anwari Ashraf, “Wira” follows Hassan (Hairul Azreen), a prodigal son who returns to his dead-end village to help his stubborn father (Hilal Azman) and stubborn quarrelsome sister (Fify Azmi). Returning from seven years in the military, Hassan finds his family in debt to a local meth-dealing mob boss, Raja (Dain Said). Years ago, the corrupt Raja squeezed the town into poverty and pushed its native residents into a crime-ridden high-rise. Hassan also once worked for Raja, fighting for bloodthirsty participants in the drug lord’s gladiator boxing ring. Hassan must work with Zain to fight Raja if they want a better future.
Reminiscent of “John Wick,” “Wira” features full shots (by DP Yong Choon Lin) and minimal cuts (editor Lee Pai Seang) for fluid hand-to-hand sequences. The climax of the movie comes in a sharp, ominous struggle where Hassan single-handedly takes on a horde of Raja’s thugs.
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