Watch These Five Action Movies Now


For action fans looking for new movies to stream, there are plenty of car chases, blasts, and fist fights to review. We help by providing some streaming events.

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I love creative micro-budget movies. These treats are rarer to discover in the action genre, as the form often requires higher production values. But “Agent Revelation” from writer-director Derek Ting manages to deliver big thrills on a smaller scale.

Ting also stars in this high-concept sci-fi movie as Jim Yung, a CIA renegade infected with an alien-made bioweapon: a red powder known as ash. While often deadly to humans, Ash instead gives Jim high reflexes and strength. The head of a secret underground military facility, Dr. When Victoria Jansen (Carole Weyers) hears that Jim has survived, she recruits Jim for testing and pushes him into dangerous exercises. These claustrophobic battles involving tactical moves between labyrinths provide the film’s biggest action moments.

But smart world building is just as impressive. Jim falls under the custody of the base’s wealthy benefactor, Alastair (Michael Dorn), the Morpheus of Jim’s Neo. Alastair teaches Jim how to use the energy of his powers against the invading aliens. A cross between “The Matrix” and “Invasion of the Body Snatchers,” “Agent Revelation” packs great sci-fi imagination into a modest package.

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Since the 1975 premiere of “Jaws” turned sharks into a six-letter horror, toothy predators have remained a cinematic staple for easy scares and oversized action. “The Great White,” an Australian film from director Martin Wilson, follows in the footsteps of “Deep Blue Sea” and “The Meg” to deliver goosebumps survival sets.

Financially bankrupt husband and wife Charlie (Aaron Jakubenko) and Kaz (Katrina Bowden) organize private plane tours for travelers. A wealthy couple, Joji (Tim Kano) and Michelle (Kimie Tsukakoshi), enlist their guide and cook, Benny (Te Kohe Tuhaka), to take them to a deserted atoll. Then, the menacing title character disables their plane, leaving them adrift on a raft. Stranded on the road, people engage in ferocious sea battles with the relentless shark, which leads to multiple high-level defensive methods that include armed oars and flares against a sharp pearly white set. It’s still not safe to go back to the water after watching “The Great White.”

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If you’ve ever turned Sean Baker’s “The Florida Project” into a road movie, you might end up with something like “Her Name Was Jo,” the candid adult adventure from writer-director Joe Duca. The 10-year-old protagonist (Mary Cate Williams) lives with her abusive, drug-addicted stepfather on the banks of the Shenandoah River. She dreams of one day traveling to Los Angeles to find her real father, a folk singer, whose recordings she listens to for comfort.

When her stepdad overdoses, Jo decides to take her best friend Selma (Elisa Duca) across the country in search of the singer. Along the way, he steals a car, is taken hostage by abusive men, helps a pregnant woman deliver her baby, and shoots to get past every obstacle. Closer to a drama than a grand action or adventure show, “Her Name Was Jo” takes on a tragic twist with a heart-pounding composition that melts with poignant folk songs.

South Korean writer-director Park Hoon-jung’s “Night in Paradise” may offer a few surprises for viewers familiar with gang movies. On the contrary, the simple mafia thriller gives blood-soaked comfort in familiarity. Park Tae-goo (Um Tae-goo) is a brash enforcer of the sweet crime lord Mr. Yang (Park Ho-san). After the murder of Park’s half-sister and nephew, he is convinced that the attack was carried out by a rival king in the Bukseong clan, causing Park to kill this mob boss with the brutality of Viggo Mortensen’s tough guy in “Eastern Promises”.

Park flees to the small island of Jeju to hide, where he forms a platonic bond with the terminally ill Jae-yeon (Jeon Yeo-been). As Park becomes their shared scapegoat, patient friends navigate a massive, bloody power struggle between Yang and the ruthless new Bukseong leader, Chief Ma (Cha Seung-won).

The director of the film takes great pleasure in the massacre. An exaggerated barn skirmish causes blood to spurt on the screen, and then a bloody 20-vs-fight involving a car key. Violent knife fights likewise turn baths into slaughterhouses. And it’s all captured with a clean, steady hand, allowing viewers to marvel at the remorseless brutality with a cheerful smile.

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When you first see Mads Mikkelsen with a salt and pepper beard sporting as Markus, a Danish soldier stationed in Afghanistan, you’d assume Anders Thomas Jensen’s “Riders of Justice” will only deliver high-octane action. But the death of Markus’ wife in a train bombing adds a deep, unexpected heart to this revenge movie.

Now a single father to his daughter Mathilde (Andrea Heick Gadeberg), the stoic Markus must punish the perpetrators and grapple with his suppressed suffering. Jansen explores how grief drives a person to seek answers in the unanswerable. It is this quest that sensitizes Markus to a theory that two serious scientists (Nikolaj Lie Kaas and Lars Brygmann) and a computer whiz (Nicholas Bro) the bombing was carried out by a mob to silence a witness.

Mikkelsen gives a well-formed performance, adding external emotional textures to a character whose inner turmoil makes him prone to violent outbursts. Its agile acting makes “Riders of Justice” a uniquely humanistic action movie.


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