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It was a weird but cute interaction that will probably be etched in someone’s memory. The Mexican artist was in the countryside outside Oaxaca, Mexico almost a decade ago. Rodrigo Hernandez He saw a pigeon on the street. Suddenly, apparently, a monkey came and hugged the bird.
“It was incredible because the pigeon allowed it because they are so fast and they disappear as soon as you get close to them,” he said, adding that the encounter only took a few seconds before the pigeon started to move away. “There were some kids around and we all said to each other, ‘Did you see that, did this happen all of a sudden?’ we looked at it. It was almost like this vision.”
Mr. Hernández captured this intimate embrace in one of 12 brass forged statues of varying sizes – other pieces include lovers in bed and dancing couples – these, as he describes it, last longer than perception and memory of the moment.
His installation, “Nothing is Solid. Nothing Can Be Held For Long” (title taken from Sonic Youth’s words) will be displayed outside the recently renovated display cases. Theater Basel As part of Art Basel Tracks Industry focused on site-specific performances, sculptures and installations dotted in Basel, Switzerland throughout the fair.
Part of the installation was demonstrated in Kiev, Ukraine in 2019. Victor Pinchuk Foundation. But when the Covid-19 pandemic made physical contact virtually prohibited in the early stages, these “moments of temporary touch made more sense,” said Mr Hernández.
While Parcours, which stands for “journey”, is not new to the show this year – this will be the 11th edition – it gained more resonance and urgency during the pandemic. In part, the renewed appreciation for space stems from the idea that people are now thinking more about their proximity to others and how comfortable – or uncomfortable – they feel to be in confined spaces.
There’s also a resurgent gratitude for the outdoors and the rediscovery of cities and locales that were perhaps little thought of or appreciated before the pandemic. Featuring 20 artists from around the world in a variety of mediums, Parcours offers an opportunity for all of this to be considered.
Some will be shown inside the buildings: a video and participatory dance Cecilia Bengolea 12 large-scale paintings and performances by the Swiss artist will be held at the Theater Basel. Claudia Comte will be in refurbished condition Stadtcasino Basel Concert Hall.
Other artists will take to the streets. Hamish FultonReaching the summit of Mount Everest in 2009, the British artist and avid hiker organized a one-hour participatory walk on the Marktplatz on the first day of the Parcours, starting before the fair. Videos of the performance piece “Walking in Every Direction” will be shown on big screens in the coming days.
Meanwhile, towering statues inspired by the gargoyle Rabbit RogersIt will be installed on Münsterplatz, a Texas-born artist.
“I always say that Parcours is a great counterpoint to being in the showroom all day because you’re often outside,” said Samuel Leuenberger, curator of Parcours, adding that the industry attracts between 10,000 and 12,000 visitors each year. “With 20 locations and short walks between locations, we never have an overcrowded space.”
It’s a chance for art lovers, and even those who aren’t usually interested in the arts, to view works created or curated specifically for the venue they’re exhibited, for free.
“People who are not interested in contemporary art may stumble upon a public intervention that might momentarily surprise them productively or make their daily wanderings more exciting,” he wrote. Klara Hosnedlova, a Czech artist living in Berlin. At the Maurerhalle he will present independent mixed-media sculptures and framed embroidered compositions. Allgemeine Gewerbeschule Basel. He added that he appreciated how site-specific work could help “to draw attention to a variety of mundane elements that might otherwise go unnoticed.”
This definitely applies to the “Breed” project. Pakui HardwareLithuanian duo of Neringa Cerniauskaite and Ugnius Gelguda. The site-specific work includes stainless steel tables and hand-blown glass sculpture compositions that appear to be a mix of test tubes and limbs. will be installed in Peter Markli-Designed the visitor center for Swiss pharmaceutical company Novartis, a new space for Parcours this year.
For the past three years, artists have been exploring the relationship between bodies and contemporary medicine. His work focuses on the idea of how humans and other bodies can become breeding grounds for new life forms. Cerniauskaite said that when they came up with the idea for the project, they came back to the fact that more than 10,000 Novartis employees working on campus every day would go through their installation.
“Something unexpected on the way to work,” he said, may resonate with their own work, “because there are references to lab design, research context, and growing lifestyles.”
Ms. Cerniauskaite added that it has been an interesting year to be a part of the Parcours programme, partly because “people are starting to explore cities and neighborhoods they would never have been to before”. Also for architects, city planners and politicians, “What is public space?” It’s a good time to think,” he said.
This is the New York artist Sarah SzeHe also put a lot of thought into Gagosian’s first solo Swiss exhibition at his Basel gallery. “Timepiece”, Ms. Sze’s first major outdoor video work, will change the facade of a building that is part of the University of Basel and examine how digital images have unpredictable lives just like nature.
“I think it’s incredibly important to be outdoors for the time we’re in right now,” he said, “to experience the outdoor physical space in a completely different way.”
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